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Crystal Castles (II)

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Album Review

Crystal Castles' self-titled debut helped take 8-bit synth tones into the mainstream. That jagged, strangely naïve sound of old-school video games is so distinctive that it could easily define the duo’s music instead of vice versa, but Ethan Kath and Alice Glass avoid that trap on their second, also self-titled album. Glass and Kath are still committed to the 8-bit assaults of their early singles and debut — check the bookending blasts “Fainting Spells” and “I Am Made of Chalk” for proof — but Crystal Castles covers more territory than that. The duo finds different ways to mix icy synth pop with white-hot noise, as well as present them in an ever so slightly more polished form. Two of the album’s singles show just how Crystal Castles' sound has evolved: “Doe Deer” is even harsher, more thoroughly spindled and mutilated than “Alice Practice,” yet the melody shines through underneath all the pixelated distortion; “Celestica,” meanwhile, puts the focus on Glass' decidedly clear, melancholy vocals and the four-on-the-floor beat. Though 8-bit synths aren’t as prominent here as they were on the band’s earlier work, Crystal Castles still love repurposing seemingly obsolete and unfashionable sounds: “Baptism”'s brassy blasts hark back to at least the early ‘90s. Despite tangents like “Birds,” Crystal Castles overall has a much darker and cleaner sound than its predecessor, expanding on the softer, more esoteric territory the band ventured into on the debut’s second half. “Vietnam” and “Pap Smear” pair controversial titles with unabashedly pretty and brooding songs. If anything, this album shows that Crystal Castles are a pop band at heart, albeit an extremely warped one, and their sonic tricks work best when harnessed to honest-to-goodness songs. “Empathy” adds R&B-tinged beats to Glass’ far-off singing, while “Suffocation” and “Not in Love” still sparkle like pristine synth pop should, even if they sound like they’ve been put through a shredder. The second Crystal Castles may not be as immediate as their debut, but it shows that the band has more to offer than just a distinctive — and confining — sound. [An LP version was also released.]

Customer Reviews

biggg

been hearin a lot about theses but never took a propper intrest.......WOOW an absoluty amazing album can't say a favourite track? but personally all of them are top class, takes alot to get into but once there jut sheer class !

CC

This is an absouletly amazing album, But if you havn't purchased there first album then there is no compariosn,Alltough this is a must buy for anyone who has purchased the first album.
My personal favourites -
Intimate
Baptism
Suffocation
Vietnam
Empathy

You WILL Enjoy it :) They bring something too music that nobody else has renderd too this quality

Crystal Castles - Crystal Castles (II)

At first some tracks are hard to listen to, but you end up becoming rapidly addicted to this barrage of the beautifully composed, vocal-distortion-filled foot stompers and melodic tracks that inhabit this album. A different take on their first album, but some older elements creep in with the singles 'Celestica' and 'Baptism'.

Personal favourites would most certainly be: I Am Made Of Chalk, Doe Deer & Pap Smear.

Well done Crystal Castles, I look forward to future work! (:

Biography

Formed: 2003 in Toronto, Ontario, Canada

Genre: Electronic

Years Active: '00s, '10s

Fusing low-res electronic noise and pop hooks so effortlessly that it can seem accidental, Crystal Castles began as producer/multi-instrumentalist Ethan Kath's solo project in late 2003. Kath got the moniker from the name of She-Ra's dwelling in the He-Man and Masters of the Universe cartoon series; it's also the name of a 1983 Atari video game, which is oddly appropriate, considering that one component of the band's distinctive sound comes from a keyboard modified with an Atari 5200 sound chip....
Full bio
Crystal Castles (II), Crystal Castles
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