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Evanescence

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Album Review

A moderately successful, if somewhat obvious fusion of more traditional instrumentation with composed electronics and effects. Periodic vocals tend to distract from the shifting, exploratory nature of the music, but the instrumental tracks are well-crafted examples of dub-influenced experimental electronica.

Customer Reviews

Artist = Scorn, Album = Evanescence

As the title suggests... The band that made this album is Scorn NOT evanescence lol that just happens to be the albums name! Oh dear... Some people??!

Sooo Orgasmic!

The tracks R all rly weird sounding! I dnt know why no one's commented yet?

Abyssmal

Oh Dear this is Awful NO Vocals (Which is the Attraction with this Band?) it MUST be a VERY OLD Album Come on ITunes where is the Date ! I basically feel I have wasted my Money on this unless you are into 80s spaced out Rock FORGET THIS !

Biography

Born: 1991

Genre: Rock

Years Active: '90s, '00s

Closely allied with post-industrial dub terrorists such as Bill Laswell, Techno Animal, James Plotkin, Robert Musso, and Anton Fier, Birmingham-based artist Mick Harris is something of a study in extremes. A drummer with noted death metal outfit Napalm Death through the group's late-'80s/early-'90s heyday, Harris began experimenting with monochrome ambient and dub styles toward the tail-end of his association with that group. Releasing material through Earache as Scorn (his ambient dub aegis) and...
Full bio
Evanescence, Scorn
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