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Tightwork 3000

95 South

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Album Review

As one may imagine, innovation or creativity isn't exactly high on 95 South's agenda, as they once again focus on doing whatever it takes to get asses shakin' with their boomin' bass, electro rhythms, and sleazy rapping. There are a few tracks here that could send any dancefloor into a freaking, jigglin' frenzy — "Ms. Got Dat Booty," "Wet-N-Wild," "Hooked" — and a lot of tracks that just recycle all the clichés one would expect to find here. Surprisingly, there are a few straight-up gangsta tracks here such as "Wrong Place, Wrong Time" that totally ruin the let's-get-freaky-and-get-naked vibes in favor of nihilism. Still, it's doubtful many will pick up this album expecting it to be anymore than something to bump to in the car or at parties; it's surely no The Chronic, It Takes a Nation of Millions to Hold Us Back, or even a Nasty As They Wanna Be. Think of it more as a disposable aural aphrodisiac with quickly diminishing returns.

Biography

Formed: Miami, FL

Genre: Hip-Hop/Rap

Years Active: '90s, '00s

Before producers C.C. Lemonhead and Jayski McGowan went on to produce "Tootsee Roll" for the 69 Boyz and "C'Mon N' Ride It (The Train)" for the Quad City DJ's, the duo had a similarly big hit with 95 South's "Whoot, There It Is" in early 1993. The song was the first bass track to cross over to mainstream success (curiously followed, and one-upped, by Tag Team's "Whoop! (There It Is)" a month later). The full-length LP Quad City Knock reached Billboard's Top 20 R&B around the same time the single...
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Tightwork 3000, 95 South
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