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Dummy

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Editors’ Notes

Portishead's debut isn't just one of the best albums to rise from the short-lived trip-hop movement—it's one of the best albums of the '90s, period. Combining languid breakbeats and haunting synths, the album is a downtempo spy novel, evoking dark alleys, loaded glances and sinister undercurrents. Beth Gibbons sings like a caged bird, resilient yet full of sorrow, and partner-in-crime Geoff Barrow builds beats like a cinematographer composes a frame, deftly balancing light and shadow. This thing will give you chills.

Customer Reviews

Gorgeous

Everyone knows the key alternative albums of the 90s..Pearl Jam's 'Ten', Nirvana's 'Nevermind', Radiohead's 'The Bends' Smashing Pumpkins etc...but Portishead's 'Dummy' is frequently (and unfairly) overlooked. 'Dummy' is, simply put, absolutely gorgeous. The lead vocalist's haunting tones will literally raise the hairs on your arms. The lyrics will make you cry, or at least want to. The guitar parts are simple, but beautiful. The song 'Glory Box' is played all the time on Xfm London, but in my opinion the stand-out track is without a doubt the poignant 'Roads'...if you only sample one song, make it that one.

Perfect

This album has been out for years and it never ages. The mix of discomforting electronica and soft bluesy guitars make for a surprisingly inventive album with some genuinely moving moments. The album shimmers from track to track and makes you wonder how they actually put this stuff together. It's not a 'noise' album with bleeps, hisses and creaky doors, each track is well structured and memorable. For reference, only thing to come close to this album is Massive Attack's 'Mezzanine' but Dummy is far more searching. It will be a cornerstone of your collection.

Spooky

Classy, spooky, timeless, will keep you focussed for hours.

Biography

Formed: 1991 in Bristol, England

Genre: Electronic

Years Active: '90s, '00s, '10s

Portishead may not have invented trip-hop, but they were among the first to popularize it, particularly in America. Taking their cue from the slow, elastic beats that dominated Massive Attack's Blue Lines and adding elements of cool jazz, acid house, and soundtrack music, Portishead created an atmospheric, alluringly dark sound. The group wasn't as avant-garde as Tricky, nor as tied to dance traditions as Massive Attack; instead, it wrote evocative pseudo-cabaret pop songs that subverted their conventional...
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