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All That You Can't Leave Behind

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iTunes Review

Even the most creatively restless of rock bands can't neglect their original muse, a lesson U2 ably learned and redressed on this 2000 album (and yet again on its even more successful cousin, How To Build An Atomic Bomb). After seeming to lose considerable focus in the '90s with such trendy, if occasionally rambling Bono-led reinventions as Zooropa and Pop, U2 reunited here with Eno and Daniel Lanois, the production team that had helped shape them into epochal legends in the '80s. The results are immediately heralded by the return of Edge's ringing guitar tones on the transcendent international hit "It's a Beautiful Day," yet the album is also expansive enough to incorporate the more recent rave textures of "Elevation" and gospel-tinged "Stuck in a Moment."

Customer Reviews

Typically Brilliant Band is U2

This album takes pride of place in my U2 collection, and cheers me up and chills me out, I can only say that I hope it will do the same for you!

Very Good

This is an interesting album as it is very different from the previous albums, Achtung Baby, Zooropa and Pop, and is quite similar to The Joshua Tree. For any U2 fan, this album is worth buying. Songs such as Beautiful Day and Wild Honey are very catchy and this edition contains the song, The Ground Beneath Her Feet which does not appear on all editions. If you're thinking of downloading this album, go ahead!

Don't Leave This Behind

Absolute brilliance. U2 have done yet another outstanding performance which stands out of the crowd. Makes the Rolling Stones or even Queen look like a joke. The songs will "elevate you"!


Formed: 1976 in Dublin, Ireland

Genre: Rock

Years Active: '70s, '80s, '90s, '00s, '10s

Through a combination of zealous righteousness and post-punk experimentalism, U2 became one of the most popular rock & roll bands in the world -- equally known for their sweeping sound as for their grandiose statements about politics and religion. The Edge provided the group with a signature sound by creating sweeping sonic landscapes with his heavily processed, echoed guitars. Though the Edge's style wasn't conventional, the rhythm section of Larry Mullen, Jr. and Adam Clayton played the songs...
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