23 Songs, 1 Hour, 54 Minutes
| TITLE | TIME | ||
|---|---|---|---|
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The Apostles, Op. 49, Pt. 1, Prologue: The Spirit of the Lord
Hallé Orchestra, Hallé Choir & Sir Mark Elder
|
7:01 | ||
|
The Apostles, Op. 49, Pt. 1: I. The Calling of the Apostles
Hallé Orchestra, Sir Mark Elder, Paul Groves & Rebecca Evans
|
7:27 | ||
|
The Apostles, Op. 49, Pt. 1: I. The Calling of the Apostles, The Dawn
Hallé Orchestra, Hallé Choir & Sir Mark Elder
|
5:04 | ||
|
The Apostles, Op. 49, Pt. 1: I. The Calling of the Apostles, "And When it Was Day"
Hallé Orchestra, Hallé Choir, Sir Mark Elder, Paul Groves, David Kempster, Brindley Sherratt, Sean Boyes, Thomas Kelly, Timothy Langston, Thomas Morss, Adam Player, Stefan Berkieta, Matthew Kellett, Graham McCusker, Daniel Shelvey, Rebecca Evans & Jacques Imbrailo
|
7:55 | ||
|
The Apostles, Op. 49, Pt. 1: II. By the Wayside
Hallé Orchestra, Hallé Choir, Sir Mark Elder, Jacques Imbrailo, Rebecca Evans, Paul Groves, David Kempster & Brindley Sherratt
|
6:43 | ||
|
The Apostles, Op. 49, Pt. 1: III. By the Sea of Galilee
Hallé Orchestra, Sir Mark Elder & Paul Groves
|
1:27 | ||
|
The Apostles, Op. 49, Pt. 1: III. By the Sea of Galilee, In the Tower of Magdala
Hallé Orchestra, Hallé Choir, Sir Mark Elder & Alice Coote
|
5:36 | ||
|
The Apostles, Op. 49, Pt. 1: III. By the Sea of Galilee, "This Shall Ye Have of Mine Hand"
Hallé Orchestra, Hallé Choir, Sir Mark Elder, Alice Coote, Sean Boyes, Thomas Kelly, Timothy Langston, Thomas Morss, Adam Player, Stefan Berkieta, Matthew Kellett, Graham McCusker, Daniel Shelvey, Jacques Imbrailo, David Kempster, Paul Groves & Brindley Sherratt
|
7:43 | ||
|
The Apostles, Op. 49, Pt. 1: III. By the Sea of Galilee, In Caesarea Philippi
Hallé Orchestra, Hallé Choir, Sir Mark Elder, Paul Groves, Jacques Imbrailo, Sean Boyes, Thomas Kelly, Timothy Langston, Thomas Morss, Adam Player, Stefan Berkieta, Matthew Kellett, Graham McCusker, Daniel Shelvey & David Kempster
|
4:40 | ||
|
The Apostles, Op. 49, Pt. 1: III. By the Sea of Galilee, In Capernaum
Hallé Orchestra, Hallé Choir, Sir Mark Elder, Alice Coote, Rebecca Evans, Paul Groves & Jacques Imbrailo
|
5:14 | ||
|
The Apostles, Op. 49, Pt. 1: III. By the Sea of Galilee, "Turn You to the Stronghold"
Hallé Orchestra, Hallé Choir, Sir Mark Elder, Rebecca Evans, Alice Coote, Paul Groves, Jacques Imbrailo, Sean Boyes, Thomas Kelly, Timothy Langston, Thomas Morss, Adam Player, Stefan Berkieta, Matthew Kellett, Graham McCusker & Daniel Shelvey
|
6:05 | ||
|
The Apostles, Op. 49, Pt. 2: Introduction
Hallé Orchestra & Sir Mark Elder
|
3:44 | ||
|
The Apostles, Op. 49, Pt. 2: IV. The Betrayal
Hallé Orchestra, Hallé Choir, Sir Mark Elder, Paul Groves, David Kempster, Brindley Sherratt, Sean Boyes, Thomas Kelly, Timothy Langston, Thomas Morss, Adam Player, Stefan Berkieta, Matthew Kellett, Graham McCusker & Daniel Shelvey
|
1:50 | ||
|
The Apostles, Op. 49, Pt. 2: IV. The Betrayal, "Then Gathered the Chief Priests and Pharisees"
Hallé Orchestra, Hallé Choir, Sir Mark Elder & Brindley Sherratt
|
3:21 | ||
|
The Apostles, Op. 49, Pt. 2: IV. The Betrayal, In Gethsemane
Hallé Orchestra, Hallé Choir, Sir Mark Elder, Brindley Sherratt, Jacques Imbrailo, Alice Coote & David Kempster
|
4:42 | ||
|
The Apostles, Op. 49, Pt. 2: IV. The Betrayal, "Then Judas, Which Had Betrayed Him"
Hallé Orchestra, Hallé Choir, Sir Mark Elder, Alice Coote & Brindley Sherratt
|
3:50 | ||
|
The Apostles, Op. 49, Pt. 2: IV. The Betrayal, "Wither Shall I Go"
Hallé Orchestra, Hallé Choir, Sir Mark Elder & Brindley Sherratt
|
5:40 | ||
|
The Apostles, Op. 49, Pt. 2: IV. The Betrayal, "Mine End Is Come"
Hallé Orchestra, Hallé Choir, Sir Mark Elder & Brindley Sherratt
|
2:29 | ||
|
The Apostles, Op. 49, Pt. 2: V. Golgotha
Hallé Orchestra, Hallé Choir, Sir Mark Elder, Rebecca Evans, Paul Groves, Sean Boyes, Thomas Kelly, Timothy Langston, Thomas Morss, Adam Player, Stefan Berkieta, Matthew Kellett, Graham McCusker & Daniel Shelvey
|
4:15 | ||
|
The Apostles, Op. 49, Pt. 2: VI. At the Sepulchre
Hallé Orchestra, Hallé Choir, Hallé Youth Choir, Sir Mark Elder & Alice Coote
|
3:45 | ||
|
The Apostles, Op. 49, Pt. 2: VII. The Ascension
Hallé Orchestra, Hallé Choir, Sir Mark Elder, Sean Boyes, Thomas Kelly, Timothy Langston, Thomas Morss, Adam Player, Stefan Berkieta, Matthew Kellett, Graham McCusker, Daniel Shelvey & Jacques Imbrailo
|
3:40 | ||
|
The Apostles, Op. 49, Pt. 2: VII. The Ascension, "And When He Had Spoken These Things"
Hallé Orchestra, Hallé Choir, Hallé Youth Choir, Sir Mark Elder, Rebecca Evans, Alice Coote, Paul Groves, David Kempster, Sean Boyes, Thomas Kelly, Timothy Langston, Thomas Morss, Adam Player, Stefan Berkieta, Matthew Kellett, Graham McCusker & Daniel Shelvey
|
5:28 | ||
|
The Apostles, Op. 49, Pt. 2: VII. The Ascension, "They Platted a Crown of Thorns"
Hallé Orchestra, Hallé Choir, Hallé Youth Choir, Sir Mark Elder, Rebecca Evans, Alice Coote, Paul Groves, David Kempster, Sean Boyes, Thomas Kelly, Timothy Langston, Thomas Morss, Adam Player, Stefan Berkieta, Matthew Kellett, Graham McCusker & Daniel Shelvey
|
6:22 |
About Hallé Orchestra
One of the oldest of all of Britain's venerable orchestral ensembles, the Hallé Orchestra of Manchester was formed in 1857 by Charles Hallé, a German conductor and pianist. Hallé was hired to conduct a large orchestra in daily concerts for five months during an art exposition. Hallé found he could not bear to break up the fine orchestra thus created and, at his own financial risk, established the Hallé Concerts on January 30, 1858.
The orchestra played 30 concerts a year, becoming known for high standards and a wide repertory, but eventually it became enmeshed in the great clash between pro-German and anti-German sentiments that marked the British musical scene at the end of the 19th century. After Hallé's death in 1895, three Manchester businessmen put up a financial guarantee to sustain the orchestra. They engaged Hans Richter as conductor, but also hired Frederic Cowen as interim conductor. When Richter finally arrived in October 1899, this aroused the anger of Cowen's supporters, who opposed Richter and his heavily Germanic programming. They remained unhappy when another German, Michael Balling, took over on Richter's departure in 1911.
World War I left he orchestra without a permanent conductor until 1920, when British conductor Hamilton Harty was appointed.
Malcolm Sargent was appointed conductor in 1939, but the outbreak of World War II prevented him from actually taking over. Meanwhile, in 1934 a deal had been struck to supply musicians for a new BBC Northern Orchestra, a studio ensemble.
British conductor John Barbirolli, finding New York uncongenial, returned home as conductor. Somehow, despite wartime scarcity and his own long absence, Barbirolli found 30 fresh players and drilled the orchestra to its highest level yet. He remained at the helm for 25 years, semi-retiring as conductor laureate for life in 1968.
His successor, James Loughran, maintained the ensemble's standards, but did not have the international star appeal of Barbirolli. Loughran was succeeded by Stanislaw Skrowaczewski and, in 1991, by American conductor Kent Nagano.
At the end of the 20th century, the Hallé had once again had competition from its old rival. In 1973 the BBCNO started playing public concerts, and in 1980 it was renamed the BBC Philharmonic and enlarged to full orchestra size. Both orchestras share quarters in Manchester's new Bridgewater Hall. In 1998, the accounting firm KPMG reported to the Hallé board that chaotic management, huge debts, and an operating loss of 600,000 pounds in the prior financial year threatened the immediate demise of the orchestra. But its four biggest sponsors and another 11 corporations, called the Hallé Family, came to the Hallé's financial rescue.
Nagano improved the quality and international recognition of the orchestra, which received a Grammy award for its recording of John Adams' El Dorado. However, Nagano's contract was not renewed after its expiration in the summer of 2000. Mark Elder was selected as the next music director.
The orchestra played 30 concerts a year, becoming known for high standards and a wide repertory, but eventually it became enmeshed in the great clash between pro-German and anti-German sentiments that marked the British musical scene at the end of the 19th century. After Hallé's death in 1895, three Manchester businessmen put up a financial guarantee to sustain the orchestra. They engaged Hans Richter as conductor, but also hired Frederic Cowen as interim conductor. When Richter finally arrived in October 1899, this aroused the anger of Cowen's supporters, who opposed Richter and his heavily Germanic programming. They remained unhappy when another German, Michael Balling, took over on Richter's departure in 1911.
World War I left he orchestra without a permanent conductor until 1920, when British conductor Hamilton Harty was appointed.
Malcolm Sargent was appointed conductor in 1939, but the outbreak of World War II prevented him from actually taking over. Meanwhile, in 1934 a deal had been struck to supply musicians for a new BBC Northern Orchestra, a studio ensemble.
British conductor John Barbirolli, finding New York uncongenial, returned home as conductor. Somehow, despite wartime scarcity and his own long absence, Barbirolli found 30 fresh players and drilled the orchestra to its highest level yet. He remained at the helm for 25 years, semi-retiring as conductor laureate for life in 1968.
His successor, James Loughran, maintained the ensemble's standards, but did not have the international star appeal of Barbirolli. Loughran was succeeded by Stanislaw Skrowaczewski and, in 1991, by American conductor Kent Nagano.
At the end of the 20th century, the Hallé had once again had competition from its old rival. In 1973 the BBCNO started playing public concerts, and in 1980 it was renamed the BBC Philharmonic and enlarged to full orchestra size. Both orchestras share quarters in Manchester's new Bridgewater Hall. In 1998, the accounting firm KPMG reported to the Hallé board that chaotic management, huge debts, and an operating loss of 600,000 pounds in the prior financial year threatened the immediate demise of the orchestra. But its four biggest sponsors and another 11 corporations, called the Hallé Family, came to the Hallé's financial rescue.
Nagano improved the quality and international recognition of the orchestra, which received a Grammy award for its recording of John Adams' El Dorado. However, Nagano's contract was not renewed after its expiration in the summer of 2000. Mark Elder was selected as the next music director.
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- GENRE
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Classical
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- FORMED
- 1858
Songs
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Panis angelicus101 Classical Hits
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Symphony No. 41 in C Major, K. 551: I. Allegro VivaceMozart: Symphony No. 41
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Symphony No. 41 in C Major, K. 551: II. Andante Cantabile
Mozart: Symphony No. 41
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Symphony No. 41 in C Major, K. 551: IV. Finale - Allegro Molto
Mozart: Symphony No. 41
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Symphony No. 41 in C Major, K. 551: III. Menuetto & Trio
Mozart: Symphony No. 41
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Mors et vita: Judex
101 Classical Hits
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Nymphs and ShepherdsHamilton Harty : Composer, Conductor and Arranger
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Piano Concerto No. 21 in C 'Elvira Madigan' K467: II. Andante (excerpt)The Most Relaxing Classical Music in the World...Ever!
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Somewhere In My MemoryA Christmas Celebration
Albums
Dvorak: Symphony No.9 in E Minor, Op. 95 "New World Symphony" (Stereo Remaster)
2011
Shostakovich: Violin Concerto No. 1 - Prokofiev: Violin Concerto No. 2
1995
A Christmas Celebration
2016
Elgar: Symphony No. 1, In The South & In Moonlight
2003
Elgar Sea Pictures
2015
English Rhapsody: Butterworth, Delius & Grainger
2003
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Suk: Prague & A Summer's Tale
BBC Symphony Orchestra & Jiří Bělohlávek
Elgar: Symphony No. 2, Op. 63
Staatskapelle Berlin & Daniel Barenboim
Walton: Symphony No. 1 - Violin Concerto
Tasmin Little, BBC Symphony Orchestra & Edward Gardner
Bartok, Eötvös, Ligeti
Patricia Kopatchinskaja, Frankfurt Radio Symphony Orchestra & Peter Eötvös
I Was Glad - Sacred Music of Stanford and Parry
The King's Consort & The Choir of The King's Consort
