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Come Here When You Sleepwalk

Clue to Kalo

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Album Review

If Mush's poaching of Mark Mitchell from Adelaide's Surgery label wasn't testament enough to the transatlantic nature of the mild-mannered Australian's music, then Tony Morley's subsequent licensing of his sophomore album to England's highly respected Leaf label further reinforced the point. Indeed, as a purveyor of sleuth rock, Mitchell is comparable to the Badly Drawn one in his deliquescing of a hopeful singing style and jangling guitars into studio-sourced blips and sneezes, but there is much, much more to this album than simple comparison will allow. The earthy grooves, though already both emotive and touching, are injected with a sense of singalong cool — with Sleepwalk an essential body of work for those who enjoy their electronic music with a little human interference

Customer Reviews

Perfection !

If you like Dntel, Minotaur Shock, Ulrich Schnauss etc.. then this album is right up your street. Although a bit more experimental, with alot less of the melodies than the artists mentioned, everything on this album works. Buy it for track 10 alone, it's magic :)

Biography

Born: Australia

Genre: Alternative

Years Active: '00s

The project of Adelaide, Australia's Mark Mitchell, Clue to Kalo began as glitchy laptop pop but evolved into a symphonic indie pop band. As a child, Mitchell pretended he was a recording artist, making up songs and cover artwork for fake albums, but didn't want to learn how to play an instrument. He channeled his imagination into writing — and even pursued a Ph.D. in English — but revisited making music when a high-school friend showed him computer multi-track recording. Mitchell began...
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Come Here When You Sleepwalk, Clue to Kalo
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