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Enemy At the Gates (Original Motion Picture Soundtrack)

James Horner

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Album Review

Given the longevity of his career, it's somewhat surprising to note that 2001's Enemy at the Gates represents composer James Horner's first foray into the World War II milieu, and while the score cherry-picks a handful of elements from previous Horner efforts spanning from Glory to Willow, it's nevertheless his most accomplished and original work in some time. A bleak, melancholy work nevertheless punctuated by moments of sweeping symphonic beauty, Enemy at the Gates exhibits a musical and emotional economy rare in the Horner canon — when the drama finally erupts, it means something. Fans of the composer will find much to savor here, and even detractors will discover passages meriting commendation.

Customer Reviews

astonishing

excellent recommend to anyone but it works out cheaper if you buy them seperatly unless you want the numbers 1 and 10 then it would be ideal to buy the album once again a superb buy

Biography

Born: 14 August 1953 in Los Angeles, CA

Genre: Soundtrack

Years Active: '70s, '80s, '90s, '00s, '10s

Famed for his lush, sweeping scores for films including Braveheart, Apollo 13, and Titanic, the prolific composer James Horner was born in Los Angeles on August 14, 1953. Educated at London's Royal College of Music as well as local universities USC and UCLA, he landed his first motion picture assignments during the 1970s, scoring B-movies like The Lady in Red, Humanoids of the Deep, and Battle Beyond the Stars for producer Roger Corman's New World organization. By 1982, Horner had moved on to major...
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Enemy At the Gates (Original Motion Picture Soundtrack), James Horner
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