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Everyday Robots

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Editors’ Notes

Damon Albarn’s discography is as wide-ranging as any figure in contemporary rock. Everyday Robots brings together elements from his singular musical journey. This solo album boasts the haunting, dub-oriented elements of The Good, the Bad and the Queen, Gorillaz’ dazed electronic ambience and the percussive textures of 2005’s collaborative Mali Music. The result is a stunning collection of deeply emotional experimental rock that only a musician of his range could have created. “We are everyday robots on our phones”, he laments on the opening title track, introducing the album’s theme of isolation in the digital age. But the album that follows is anything but robotic: when Natasha Khan (Bat for Lashes) provides a spectral echo on “Selfish Giant”, a mournful horn solo punctuates “Hollow Ponds” or the gospel choir sings back-up on the radiant Afropop-influenced “Mr. Tembo”, the result is deeply affecting.

Customer Reviews

Relaxing and uplifting

Imagine being on a quiet train carriage without a care in the world just looking out of the window.

Magik nomad

Connecting to his roots and touching stars!

A must buy

A really nice, laid back album. Possibly his best work so far!


Born: 23 March 1968 in London, England

Genre: Alternative

Years Active: '90s, '00s, '10s

As the frontman for Blur and Gorillaz, Damon Albarn helped shape the British mainstream during the '90s and beyond, first establishing himself as a Brit-pop icon before expanding into hip-hop, opera, electronica, and world music. Born in London on March 23, 1968, he was raised in a bohemian household, studying a number of instruments (piano, guitar, and violin) during his youth and befriending Graham Coxon, a fellow student at the Stanway Comprehensive School, as a 12-year-old. Albarn later studied...
Full bio
Everyday Robots, Damon Albarn
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Customer Ratings