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Everybody's Crazy

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Album Review

Michael Bolton's first Columbia album had offered some reason to suspect he had a future in the pop-rock mainstream despite his arena rock tendencies. But on his second album, he endeavored to make a metal-tinged copy of Foreigner, one in which even his distinctive voice was a minor element among the guitar solos and keyboard flourishes. Bolton wrote or co-wrote all the material, but much of the time he seemed to be fighting to be heard, and when he was, all he had was a mouthful of cliches to offer. When this album missed the charts, it looked like the singer was going down for the third and last time.

Customer Reviews


I have to disagree completely with your reviewer. This is a great lost AOR classic that I had on vinyl way back when and dates from a time before Mr Bolton started producing soft rock of the worst kind [albeit selling millions in the process] and will surprise anyone used to his later music and more into the rock side of things. A lot of memorable hooks here and if memory serves was the recipient of a 5k review in Kerrang to boot.


Born: 26 February 1953 in New Haven, CT

Genre: Pop

Years Active: '70s, '80s, '90s, '00s, '10s

Singer/songwriter Michael Bolton had an extensive (though not very successful) career under his real name, Michael Bolotin, before emerging in the mid-'80s as a major soft rock balladeer. He first turned up on RCA Records in the mid-'70s, singing cover tunes and his own blue-eyed soul songs in a gruff, Joe Cocker-like voice. Neither record buyers nor critics were much interested by the result. He then became the lead singer of Blackjack, a heavy metal band that made two albums for Polydor before...
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Everybody's Crazy, Michael Bolton
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