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Evil Friends

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Album Review

Portugal. The Man found the opportunity to work with Brian "Danger Mouse" Burton so important that they scrapped two weeks of recording — and eight of ten new songs — in order to start fresh. Changing studio locations from El Paso to Danger Mouse's headquarters in L.A., the collaboration has resulted in the band's most accessible and "mainstream" recording to date. The punchy, rhythm-driven elements in Danger Mouse's production style create an elastic tension when contrasted with the band's loopy, hooky, guitar-centric, psych rock sound. He doesn't change that sound, but he brightens it, adds textural layers, and makes it more dynamic and punchy. Set-opener "Plastic Soldiers" reveals that John Gourley's songwriting, with its wonderfully idiosyncratic world view, remains loaded with signifiers from rock's rich past. Strummed acoustic guitar and synth offer a dreamy intro. A little more than a minute later, the snare and handclaps enter, as do an all but hidden squiggly synth, and strings; the tempo picks up and the groove contrasts sharply with the tune's lyrics. "Creep in a T-Shirt," with its treated vocals, piano, whompy electronic keyboards, and synth horns, offers the trace elements of R&B while never leaving the psych behind. "Purple Yellow Red and Blue" is fingerpopping time — it's almost funky with a popping bassline, low-end breakbeats, almost shimmering acoustic guitars, chorus-style vocals, a chugging B-3, and piano — while "Hip Hop Kids" (one of the two songs they kept and re-recorded) isn't, its use of the genre's tight, skittering rhythm, which drives a sprawling meld of distorted electric guitars and washed-out keyboards, is an example of the expansive elements that Danger Mouse brings to the rockist bent in P.TM's aesthetic. The album's hinge track, "Atomic Man," shows the other side: a driving rocker with a near chanted backing chorus and fuzzed-out guitars is brightened considerably with a meaty rim shot snare. Though album-closer "Smile" may be the set's least commercial track, it may also be the finest moment on the entire record. In just under five minutes it combines languid balladry, Baroque pop, a rhythm collision, screaming guitars, and strings. Evil Friends offers ample evidence that the match between Portugal. The Man and Burton expanded the horizons of both parties and will likely heighten the band's profile considerably.

Customer Reviews

What an Album!

For me this was my definitive album for 2013. No two songs were the same yet all were, in parts, whimsically interwoven. Whether just playing the bouncy "Atomic Man" or "Purple Yellow Red and Blue" in the backgroung with friends it as hard to resist singing along to their easy melodies and catchy lyrics. This album in not a one trick pony however as the powerfull ballads such as "Smile" or "Evil Fiends" will always leave you feel invigorated. An absaloutely inspired album for those who enjoy the Indie Rock/Alternaive genres.

Great up beat album

Love it.. Great compositions

Out done themselves again!

As always another great album from ptm. Very diverse each song on the album!


Formed: 2003 in Wasilla, AK

Genre: Alternative

Years Active: '00s, '10s

There has to be some credit given for this band's name alone -- co-founder John Gourley once explained it as an attempt to create a demi-mythic entity bigger than the individual members. Formed in Wasilla, Alaska, Portugal. The Man (yes, there's a period in the middle of their name) grew out of the ashes of Anatomy of a Ghost, a post-hardcore band whose vocalist and guitarist -- Gourley and Zach Carothers, respectively -- opted to continue working together. Rounding out the new band's lineup was...
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Evil Friends, Portugal. The Man
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Customer Ratings