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Further Complications

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Album Review

Perhaps it was inevitable that Jarvis Cocker would find no peace in domesticity. It may have treated him well for a brief period, resulting in the quite brilliant mature pop of his 2006 solo debut, but no other pop star has been as singularly sex-obsessed as Jarvis, so it was just a matter of time before his attentions wandered elsewhere...and so they have on his wildly depraved second album, Further Complications. Right from the start with the thumping "Angela," Jarvis has flesh on the mind, just as he did during the days of His 'n' Hers with its songs about sisters, virginity, and fetishes, but where those songs were underscored by the vague melancholy of somebody who has only glimpsed his fantasy and frets that he will never see it again, the songs here pulsate with perversion, a middle-aged man making damn sure that he's going to get with a tight 23-year-old body yet again; it's the sound of a fetishist turned sexual omnivore. Fittingly, the sound of the record is completely changed, with only the closing "You're in My Eyes (Discosong)" echoing back to the louche, languid urban fantasies of "Deep Fried in Kelvin." The rest is all gnarled, ugly hard rock, dredging up ghosts of the Stooges and the Spiders from Mars, dressing them in stylish second-hand clothes that are razored to ribbons by Steve Albini's typically unflinching production. Under his cold glare, all the madness of Further Complications is pushed right to the surface — all the stuttering, slashing guitars, Steve Mackey's wailing sax, Jarvis' obsessive, compulsive carnality. If he has any regrets leaving the settled bohemian pop professor of Jarvis behind, it only surfaces on "Slush," a dirgelike meditation on global warming overshadowed by the hedonistic riot of Further Complications at large, a record that does its best to live up to Cocker's "never said I was deep, but I am profoundly shallow" proclamation. He's denied his id for too long, so the dam bursts here and it's impossible not to happily wallow in the flood of filth unleashed by Further Complications.

Customer Reviews

Cocker Rocker!

Frenetic, funny, filthy and fantastic, 'Further Complications' the sound of Jarvis Cocker letting his hair (and beard) down. After the subdued loveliness that was 'Jarvis', this album racks up the tempo and the emotional punch. Songs such as 'I Never Said I Was Deep' and 'Leftovers' deal with familiar Cocker themes of love and lust set in his favoured narrative style, but he also touches on new topics. The atmospheric 'Slush' was inspired by global warming and the closing track 'You're In My Eyes (Discosong)' is a sinister tale of a man dancing with his dead lover. Most of the 'rockier' moments work surprisingly well- particularly 'Pilchard' and 'Homewrecker'. 'F-king Song' and 'Caucasian Blues' are less successful as Jarvis has to scream to be heard above the heavy guitars. This is a minor criticism of a generally great, entertaining album that gets better at every listen.

I feel compelled to lose my review virginity to say..... brilliant this is. I am so chuffed, it's completely made my day. I feel 15 again. So many big names of the nineties fail to deliver in the naughties but this is timeless, wrist-flicking brilliance from JC.

Sophistication - Made simple

Jarvis back again with another classic - which excludes any timeless comment at it's again unique and develops and ever listen.


Born: 19 September 1963 in Sheffield, Yorkshire, England

Genre: Alternative

Years Active: '70s, '80s, '90s, '00s, '10s

Misfits have often been part of rock & roll, but of the many outsiders, few have been as clear-eyed, passionate, and savagely witty as Jarvis Cocker, a bookish, sex-obsessed English eccentric who became not just a star but a pop archetype as the leader of Pulp in the '90s. It's been impossible to separate Jarvis Cocker's story from Pulp's -- he was not only the founder, he was the creative force and the only constant member during the group's long history. Winding down Pulp not long after the group's...
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Further Complications, Jarvis Cocker
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