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Ghost In The Machine (2003 Remastered)

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The Police’s fourth album investigates an electronic sound while adopting their most explicitly political stance yet. “Spirits In the Material World”’s revolution-rock bobs to a reggae rhythm driven by keyboards rather than guitars, while “Invisible Sun” examines The Troubles in Northern Ireland against an eerie, electro swirl. They’ve not banished love songs though and with a chorus that bursts out of the synth mist like a thunderclap, “Everything Little Thing She Does Is Magic” is one of their finest.

Customer Reviews

Strokes of Genius

An absolute milestone after their amazing line-up of hit generating albums. This album took me through emotional highs and lows in the mid-Eighties and will therefore stay with me for years to come. Darkness is a specially unique song that can hardly be compared with anything these guys have done before (or after).

Ghost revisited

This album was really my older sister's era - mine being the late 80's and 90's but I have revisited this album today after buying Zenyatta last week and it was a delight to re-acquaint myself with the genius of this album. We have really not seen the like of this since! I cannot wait to don the white headphones and pound the streets with my ipod to these rhythms. Well done apple/i-tunes for your wonderful service.

Darkness

The best Police album, which is in parts, pretty dark, written during the recession in the UK in 81. Any album that starts with Spirits, Magic and Invisible Sun is pretty impressive but its the last 3 tracks that make the album a classic. Omegaman written by Andy Summers should have been a single with some impressive guitar work, Secret Journey by Sting showing his spiritual side and Darkness by Copeland closes the album on a sombre but somehow uplifting note.

Biography

Formed: 1977 in London, England

Genre: Rock

Years Active: '70s, '80s, '00s

Nominally, the Police were punk rock, but that's only in the loosest sense of the term. The trio's nervous, reggae-injected pop/rock was punky, but it wasn't necessarily punk. All three members were considerably more technically proficient than the average punk or new wave band. Andy Summers had a precise guitar attack that created dense, interlocking waves of sounds and effects. Stewart Copeland could play polyrhythms effortlessly. And Sting, with his high, keening voice, was capable of constructing...
Full bio
Ghost In The Machine (2003 Remastered), The Police
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