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Beacons of Ancestorship (Bonus Track Version)

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Album Review

Returning after a five-year gap (which, granted, included a box set and a collaborative record with Bonnie "Prince" Billy), Tortoise confronted a pair of age-old musical questions: does anyone really care about an experimental rock group after 15 years, and does said group actually have anything to say after that length of time? After all, the sound of rock's future circa 1994-1996 was beginning to sound tired by the time of 2004's It's All Around You, and the sense was growing that Tortoise should call it quits and begin accumulating enough years of inactivity to eventually be rediscovered, remastered, and reunited. Beacons of Ancestorship neatly squashes all those questions and assumptions, revealing a band that is just as fascinated with sound, just as intrigued by its myriad possibilities, and just as unerring in presenting those ideas in the form of entertaining instrumental music as when it debuted in 1993. The time signatures are constantly shifting, the lights of vitality and inventiveness Tortoise displayed 12 years earlier are completely undimmed, and the reference points for their music are constantly expanding (on tap here, among the dub and Krautrock and minimalism and jazz, is surprisingly abrasive punk for "Yinxianghechengqi"). The opener is eight minutes of bliss, wheeling and turning every few minutes, eventually leading to a great full-band jam that looks back to an earlier age of Chicago post-rock with a closing that's strikingly reminiscent of early Trans Am. The spaghetti Western impressionism of "The Fall of Seven Diamonds Plus One" would be perfect for their excellent TNT LP, and the group gets positively off the wall at the end, with a pair of songs ("Monument Six One Thousand" and "Charteroak Foundation") that pit guitar lines over drums-and-bass tracks that don't sound as if they were recorded for the same selection. It can be incredibly difficult for an experimental group to continue experimenting for years on end without getting stale, but Tortoise achieve that balance effortlessly.

Customer Reviews

Ye Old Madness!!

Oh dear. It seems Ye Old Monkey has missed the point here. Instead of giving any kind of constructive review of this ace Tortoise album, he's actually reviewed the Itunes classification of rock! I agree that to term this as a "rock" album is somewhat misleading. This is an electronic album, a jazz album, but rock? Nope! What it most definitely is? Another wonderful, eclectic offering from Tortoise.

Stunning return to form

Great, long-awaited release from one of the most consistently innovative rock bands around. They still sound unique, unlike anyone but themselves, even after all the imitators in their wake. Fresh, original, dynamic, startling and yes these guys rock (just in different time-signatures). Destined to be another unclassifiable classic from Tortoise.

You have to see it live...

This weekend I stumbled into a large music hall (courtesy of the ATP 10th anniversary festival) and witnessed this understated masterclass of electro-jazz-mash first hand. From the delicious textures of dual drumming to the previously unchartered layers of synth, guitar, and bass this group are doing 'it' first, constantly redefining whatever 'it' is, and doing 'it' better than anyone else. Naturally I now here, buying their album.

Biography

Formed: 1990 in Chicago, IL

Genre: Alternative

Years Active: '90s, '00s, '10s

Tortoise revolutionized American indie rock in the mid-'90s by playing down tried-and-true punk and rock & roll influences, emphasizing instead the incorporation of a variety of left-field music genres from the past 20 years, including Krautrock, dub, avant-garde jazz, classical minimalism, ambient and space music, film music, and British electronica. At odds as well with the shambling framework of alternative rock's normal song structure, the group — as large as a septet, with at times...
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