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Only Tonight

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Album Review

Lounge lizard Louie Austen was singin' and swingin' on stages from Vienna to New York way back in the '60s, but his first long-player in 25 years is also his first foray into the world of dance music. And judging by the surprisingly successful (and surprisingly sleazy) Only Tonight, Austen's musical career seems primed to take off — again. Much credit goes to knob-noodlers Mario Neugebauer and Patrick Pulsinger, who rework Austen's potentially hokey-jokey hotel bar crooning into some horny, hot-to-trot dancefloor fodder. The nearly hour-long album features prominent cameos from Ken Cesar and raunch-rapper Peaches, but even the most compelling personalities can't shift the spotlight away from Austen, whose Don Ho-like voice seems readymade for his sex-obsessed musings on songs like "Hear My Song!," "Only You" and "Grab My Shaft!." Perhaps more shocking that his dirty mind, however, is that Only Tonight's Love Boat-meets-Lovage sex soundtrack doesn't sound at all like the novelty that it could, and probably should, be.

Biography

Genre: Electronic

Years Active: '00s

Releasing his first album well into his fifties, crooner Louie Austen became an unlikely fixture on the Austrian dance scene thanks to his unique fusion of jazz-pop and electronica. Born Alois Luef in Vienna in 1946, the classically trained singer performed on stages in L.A. and New York in the 1970s before taking a residency at the Cascade Bar in his hometown. A chance meeting in the late '90s with an experimental producer led to a collaboration that combined his Dean Martin-esque vocals with modern...
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Only Tonight, Louie Austen
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