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Zephyr

Basement Jaxx

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Album Review

Originally intended to be part of a double album with Scars, Basement Jaxx instead chose to release their more experimental 2009 effort, Zephyr, on its own merits, a wise decision considering its collection of downtempo and ambient self-described "soundscapes" would more than likely have gotten lost amidst the manic cut-and-paste vocal house of its more commercial alternative. Recorded over a two-year period across Berlin, New York, and London, its ten tracks still adhere to the usual "anything goes" Jaxx approach, but apart from the acoustic folk loops, hypnotic beats, and bilingual childlike melodies of "Walking in the Clouds" and the chaotic arcade game electro of "Dark Vale," it's an altogether more reflective affair that allows Buxton and Ratcliffe to showcase their unique interpretation of a chillout album. Indeed, only "Where R We Now," a string-soaked collaboration with U.S. jazz baritone José James, would sit comfortably next to the coffee-table arrangements of Zero 7 and Morcheeba, as Jaxx instead revel in their more globetrotting influences, fusing twitchy sitars and brooding Leftfield-esque atmospherics on "Hip Hip Hooray"; blending sci-fi sound effects with flamenco guitars and bossa nova beats on the seductive lounge-pop of "Alkazaar"; and combining their love of ragga, dancehall, and Latin jazz on the melting pot of sounds that is six-minute closer "Ascension." Elsewhere, there are flashes of vocals from Yoko Ono (who appeared on Scars' "Day of the Sunflowers") on the new age-inspired "Sunrising," "Peace of Mind" combines skittering Balearic breakbeats with shimmering '70s Fleetwood Mac guitar hooks, and "Check the Fuse" is an all too short 54-second slice of hazy Americana. The latter's "blink and you'll miss it" running time presents Zephyr's only real problem, as clocking in at just under a rather measly 30 minutes, Buxton and Ratcliffe never really give themselves the opportunity to explore their more ethereal nature. Which is a shame, as while it certainly doesn't contain any potential hits, it's a creative and playful curiosity that adds yet another string to their genre-straddling bow. ~ Jon O'Brien, Rovi

Customer Reviews

Stunning

Simply amazing music, if you're a fan of Basement Jaxx then you simply must own this album!

Massive Disapointment

im sorry but i cant be the only one who thinks that apart from Raindrops nothing on their 2 newest albums compares to their old stuff!

More new Basement Jaxx stuff : )

yet another amazing peice of music by them, loved them since i was 11 and this has changed nothing

Biography

Formed: 1994 in London, England

Genre: Dance

Years Active: '90s, '00s, '10s

From their '90s singles to the more ambitious projects they tackled in the decades to come, Basement Jaxx were one of the U.K.'s most respected — and enjoyable — progressive house acts. While virtually everything South London production duo Simon Ratcliffe and Felix Buxton released was rooted in house, they mutated several styles (R&B, U.K. garage, ragga, Latin jazz, ambient techno) with an unmatched restlessness. They constantly shuffled...
Full bio