12 Songs, 45 Minutes

EDITORS’ NOTES

As long as guitarist Andy Gill can lay down a guitar line and singer Jon King can rail against capitalism, there can be a Gang of Four. Sixteen years since their last studio effort, Gill and King hitch up bassist Thomas McNeice and drummer Mark Heaney and resurrect the sound that put these guys on the cutting edge at the onset of the ‘80s. In the interim, they’ve influenced innumerable groups, but there’s nothing quite like the seductive funk of “I Can’t Forget Your Lonely Face”, which sounds like David Bowie with serrated edges. “You’ll Never Pay for the Farm” has a driving and hypnotic grind to its discontent. “It Was Never Gonna Turn Out Too Good” works with electronically manipulated sounds. “She Said” rails with ominous radio tower interference. Gill’s guitar is particularly crisp for “You Don’t Have to Be Mad”. The band may be down to the original frontmen, but they still commit to their sonic and political convictions like the full band of old.

EDITORS’ NOTES

As long as guitarist Andy Gill can lay down a guitar line and singer Jon King can rail against capitalism, there can be a Gang of Four. Sixteen years since their last studio effort, Gill and King hitch up bassist Thomas McNeice and drummer Mark Heaney and resurrect the sound that put these guys on the cutting edge at the onset of the ‘80s. In the interim, they’ve influenced innumerable groups, but there’s nothing quite like the seductive funk of “I Can’t Forget Your Lonely Face”, which sounds like David Bowie with serrated edges. “You’ll Never Pay for the Farm” has a driving and hypnotic grind to its discontent. “It Was Never Gonna Turn Out Too Good” works with electronically manipulated sounds. “She Said” rails with ominous radio tower interference. Gill’s guitar is particularly crisp for “You Don’t Have to Be Mad”. The band may be down to the original frontmen, but they still commit to their sonic and political convictions like the full band of old.

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About Gang of Four

Formed in 1977 by Leeds University students Jon King (vocals), Andy Gill (guitar), Dave Allen (bass), and Hugo Burnham (drums), Gang of Four (along with the Fall, Mekons, and Liliput) produced some of the most exhilarating and lasting music of the early English post-punk era of 1978-1983. Fueled by the fury of punk rock and radical political theory, Gang of Four successfully welded the two in an inspired display of polemics and music that addressed the vagaries of life in the modern world (including love and romance) as matters of political inquiry. Despite the fact that this sounds rife with the potential for being long on rhetoric and short on groove, such was not the case. What made Gang of Four's polemical clang'n'roll so compelling was that it worked as harsh, bracing, and ultimately liberating rock & roll. With Allen and Burnham combining as a formidable and frequently very funky rhythm section, Gill didn't play guitar as much as emit thick wads of semi-tuneful distortion, while King "sang" in a dry, declamatory fashion similar to that of the Fall's Mark E. Smith. The rhythms were stripped down and jagged; at times Gill would dispense with guitar solos entirely and "play" non-solos, which were (surprise!) silence. Song titles sounded like the titles of radical political essays: "At Home He's a Tourist," "Damaged Goods," "It's Her Factory," "Anthrax," "To Hell with Poverty," all of it openly challenging the audience's preconceived notions about rock music, performance, the cult of celebrity, and the nature of politics. And in doing so, GOF conveyed rage, confusion, and loss of identity as well as any band of their time. They have always remained, to the ears of those opened wide by punk rock, an extremely important band.

After three consecutive sensational albums, as well as a handful of EPs and singles, Allen left in 1982 to form the more danceable and less overtly political Shriekback, while Burnham departed the following year and formed Illustrated Man. King and Gill, the latter of whom had also established himself as a noted producer for other acts, recorded the misguided "radical soul/R&B" record Hard with veteran producers Ron and Howard Albert. A near total disaster, Hard signaled that the end was nigh. The "Gang of Two" released a so-so live album (At the Palace) and called it quits in 1984. But legends die hard, and Gang of Four experienced a return of sorts in the early '90s with the release of two excellent collections: A Brief History of the Twentieth Century and The Peel Sessions Album). Gill and King put together a new Gang of Four and released the tepid but not disgraceful Mall in 1991. Another reunion, from 1995, yielded Shrinkwrapped. Three years later, a double-disc compilation -- 100 Flowers Bloom -- surfaced on Rhino.

Gang of Four's original lineup reconvened in 2004 to tour extensively and release 2005's Return the Gift, featuring re-recordings of their early material. Gill and King continued with a new rhythm section and released 2011's Content with financial support from their fans. King subsequently left, and Gill recruited John Sterry, previously of Gaoler's Daughter, for 2015's What Happens Next. ~ John Dougan

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