12 Songs, 1 Hour 9 Minutes

EDITORS’ NOTES

The supergroup’s second album continues their fascinating deconstruction of Irish music, rendering it in spectral, unique new forms. Their key trick is to fuse and slow the traditions of folk, isolating the melodies and rebuilding them through prisms of jazz and alt-rock. There’s emotion sewn into every note so even if the full translation of the Irish-language poetry within “Slán le Máighe” and “The Pilgrim’s Song” eludes you, they’re still wholly moving songs.

EDITORS’ NOTES

The supergroup’s second album continues their fascinating deconstruction of Irish music, rendering it in spectral, unique new forms. Their key trick is to fuse and slow the traditions of folk, isolating the melodies and rebuilding them through prisms of jazz and alt-rock. There’s emotion sewn into every note so even if the full translation of the Irish-language poetry within “Slán le Máighe” and “The Pilgrim’s Song” eludes you, they’re still wholly moving songs.

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About The Gloaming

Formed in 2011 in Rosemount, County Westmeath, Ireland, the Gloaming was a supergroup composed of six-time All-Ireland Fiddle Champion Martin Hayes, folk-rock guitarist Dennis Cahill, Hardanger fiddle player Caoimhín Ó Raghallaigh, producer-pianist Thomas Bartlett (aka Doveman), and sean-nós singer Iarla Ó Lionáird, perhaps best known for his work with worldbeat icons Afro-Celt Sound System. Fusing traditional Irish music forms with rock and contemporary classical influences, with Ó Lionáird singing in Irish throughout, the group won rapturous critical acclaim, and several awards, for their 2013 eponymous debut album, released on Peter Gabriel's Real World Records.

Produced by Bartlett, better known for his work with indie rock bands such as the National, the album took as its starting point Irish traditional music, but sympathetically augmented it with pop/rock vocal stylings and stunningly beautiful piano arrangements in a post-classical vein. It won the 2014 Meteor Choice Prize for Irish Album of the Year, beating the likes of U2, Sinéad O'Connor, and Damien Rice. The group toured the world, playing at major festivals such as Womad, and selling out London's Barbican arts center. The Gloaming's second album, 2, followed in 2016, going deeper into the tradition but at the same time consolidating and expanding their unique style with subtle post-rock inflections. ~ John D. Buchanan

ORIGIN
Rosemount, County Westmeath, Irel
GENRE
World
FORMED
2011

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