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Lazaretto

Jack White

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iTunes Editors' Notes

When Lazaretto roars to action with the sweltering, Hammond-driven rocker “Three Women”, Jack White is on familiar terrain, unleashing a supercharged, garagey blues riff that’s as archetypal as the theme. But when the “red, blonde and brunette” ladies in question appear in a “digital photograph”, the anachronism is a striking reminder of White’s gift for recasting classic musical elements in arrestingly modern contexts. There are plenty of such moments on Lazaretto, like when the title track’s heavy bass rumble is augmented with a squall of 8-bit Atari noise and a vaguely Appalachian fiddle solo. Throughout, White’s brand of heated, high-powered blues-rock dominates, but he mixes things up with breezy, country-inflected charmers (“Temporary Ground”, “Entitlement”) and eerie, would-be spaghetti western themes (“Would You Fight for My Love?”, “I Think I Found the Culprit”). The album’s best tracks, like “Alone in My Home” and “Just One Drink”, combine all of the above in a heady, hot-blooded, hook-oriented package.

Customer Reviews

Dissapointed really

High ball stepper and Lazaretto are the only properly great songs, the rest just seem lacking in something...

Amazing!!

Jack you did it again!! Absolutely Amazing!! Keep up the great work Mr White.

It's a beauty

Jack is back

Biography

Born: 09 July 1975 in Detroit, MI

Genre: Alternative

Years Active: '90s, '00s, '10s

One of the most admired guitarists of the early 21st century, Jack White helped restore the popularity of punk-blues as the frontman of the White Stripes. Meanwhile, he widened his reach by participating in a range of other projects, including the Raconteurs, the Cold Mountain soundtrack, Loretta Lynn's comeback vehicle Van Lear Rose, the Dead Weather, and a solo career. Although White's nasal voice and loose, fiery guitar delivery were mainstays of the White Stripes' early work, the group branched...
Full bio