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Harps and Angels

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iTunes Review

Randy Newman’s first batch of new material since 1999’s excellent Bad Love, Harps and Angels follows many familiar Newman themes to their just placement. Produced by Mitchell Froom and Lenny Waronker, the album centers around Newman’s rolling New Orleans piano and orchestrations, and his droll wit and bluesy singing that often sounds surprised by what transpires. The title track traces a man’s spiritual reformation after being confronted with a near-death experience (he’s called to Judgment Day by a clerical error). “Losing You” explores an elderly couple’s inability to process the death of their son with their own lives’ nearing an end. “A Few Words in Defense Of Our Country” ran as an Op-Ed piece at the New York Times and has worked as the album’s “advance single” recounting the missteps of the Bush administration. “Piece of the Pie” handles economic disparity. “Potholes” humorously recalls his father’s ability to forget everything but Newman’s own childhood failures. “Korean Parents” suggests that strict discipline and a hard-nosed work ethic is society’s desperate need. Newman’s that rare songwriter who never runs out of topics to cover.

Customer Reviews

Music that tells stories

Whether you are a fan of jazz/ blues or not - this is a beautifully crafted set of songs. The musicanship is world class, whilst the mood very intimate, personal. Songs as stories, brilliantly told. I particularly like the subtle use of humour at just the right moments.

Harps and Angels

This is one of the best albums
on my iPod

Good Album ...

Another good album featured by iTunes. However, I would not call it rock, more of a Jazz Fusion / Jazz "Rap" It is a nice album just to listen to to begin with, and then to listen to the lyrics afterwards...


Born: 28 November 1943 in Los Angeles, CA

Genre: Soundtrack

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

An anomaly among early-'70s singer/songwriters, Randy Newman may have been slightly influenced by Bob Dylan, but his music owed more to New Orleans R&B and traditional pop than folk. Newman developed an idiosyncratic style that alternated between sweeping, cinematic pop and rolling R&B, which were tied together by his nasty sense of humor. Where his peers concentrated on confessional songwriting, Newman drew characters, creating a world filled with misfits, outcasts, charlatans, and con men. Though...
Full bio

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