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The Phoenix

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Album Review

What's surprising about Lyfe Jennings' career is that not only does his soulful music recall the freedom the soul genre experienced in the early '70s but how his major label, Sony, gives him that freedom in the rather stilted 21st century. Listening to his sophomore effort, The Phoenix, the question could be raised as to who is responsible for the album's heavy Kanye West and John Legend influence. Legend's emotional, piano-driven style rears its head often and West's elaborate ambition is all over the place, but a couple listens in, it's obvious that Jennings is responsible for all the unique moves and doubtful that Sony told him, "We need you to be our Kanye." The fact Sony gave the man's debut plenty of time to sink in with the public — they worked it for an eternity by 21st century standards — is a clue, but the proof is all over The Phoenix, a giant of an album with giant rewards, giant flaws, and grand swoops of unbridled creativity that somehow got Sony's stamp of approval. First off, there's a song-explaining interlude between practically every track, something that wears out its welcome in three listens or so. The interludes that bridge "Goodbye" (excellent and achingly poignant), "Let's Stay Together" (silky smooth), and "Biggie N***a" (uplifting and fascinating) are especially clumsy, with Lyfe explaining how he faced the "making up is easier than breaking up" conundrum and made the more difficult choice, then made the easier choice, then dumped his lady for another girl who made him feel like the Notorious B.I.G. The chitter-chatter undermines this killer trilogy of songs, but if you want a really strange move, check out how the tougher-than-tough "Slow Down" (with G-Unit member Young Buck) uses the Gilligan's Island theme for its hook. As part of the whole, it works beautifully, as do the outlandish lyrics dropped into "Biggie N***a" ("I was breast-fed by Godzilla") and "The River" ("I'm cursing the vagina that gave life to me"), since they're surrounded by eye-level views of Lyfe's past and his delivery is always convincing. On top of it all, he pulls off the tricky "sexual abstinence" song ("S.E.X.") without a hitch, throws out enough bold ideas and grand statements for two West records, and his raspy voice is as rich as ever. The Phoenix is a crazy, big, flawed album, but it's a trip, and a riveting one that anyone who loved his debut will want to take.

Customer Reviews

A Phenom in his own right!

I call this guy "Mr speak the truth", I think his whole approach to the younger generation in music is unique and inspirational, he does not promote violence and all that other mess. Definatley get this album and the one before it!

Your ears NEED to hear this man!!!

If you haven't heard of this man before, and your a real old skool RnB you need to buy this album AND his first one, you won't regret it. He has a fantasic voice which will make you want to hear it again and again. Enjoy!!!


I thought the first album was good but this just takes it too a next level. Just when you thought it couldn't get better. IT DID!!!!


Born: 03 June 1978 in Toledo, OH

Genre: R&B/Soul

Years Active: '00s, '10s

Not that he'd wish it on anyone, but it was during his ten-year sentence in prison that Lyfe Jennings developed his honest sound, thanks to isolation and Erykah Badu. It was an arson charge that put the Toledo, Ohio native in prison. His musical aspirations started in the church choir and grew up in the Dotsons, a teenage group that Lyfe formed with his brother and a couple cousins. Prison made his music deeper, according to Lyfe, and when a copy of Erykah Badu's Baduizm ended up in his cell in 1997,...
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The Phoenix, Lyfe Jennings
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