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We Are Ever So Clean

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Album Review

Imagine the late-'60s Kinks crossed with a touch of the absurdist British wit of the Bonzo Dog Band, and you have an idea of the droll charm of Blossom Toes' debut album. Songwriters Brian Godding and Jim Cregan were the chief architects of the Toes' whimsical and melodic vision, which conjured images of a sun-drenched Summer of Love, London style. With its references to royal parks, tea time, watchmakers, intrepid balloon makers, "Mrs. Murphy's Budgerigar," and the like, it's a distinctly British brand of whimsy. It has since been revealed that sessionmen performed a lot of these orchestral arrangements, which embellished the band's sparkling harmonies and (semi-buried) guitars. But the cello, brass, flute, and tinkling piano have a delicate beauty that serves as an effective counterpoint. The group sings and plays as though they have wide grins on their faces, and the result is one of the happiest, most underappreciated relics of British psychedelia. [Ten bonus tracks were added to the 2007 Sunbeam edition.]

Customer Reviews

Classic, Fabulous, Buy It!

This album clearly illustrates that Lennon & McCartney weren't the only musical geniuses of the sixties!

Biography

Formed: 1965

Genre: Rock

Years Active: '60s

They never had any commercial success in the U.K. or the U.S., but Blossom Toes were one of the more interesting British psychedelic groups of the late '60s. Starting as the Ingoes, just another of thousands of British R&B/beat bands of the mid-'60s, the group hooked up with legendary impresario Giorgio Gomelsky (early mentor of the Stones and manager of the Yardbirds and Soft Machine, among others) in 1966. Gomelsky changed their name and put them on his Marmalade label. Their 1967 debut LP was...
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We Are Ever So Clean, Blossom Toes
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Contemporaries