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Album Review

One of Houston's more subdued efforts, with characteristically eclectic arrangements sprinkled with autoharp, melodica, mandolin, violin, and cello. There's a constant sense of uneasy suspicion, worry, failed romance, and vague dissatisfaction simmering underneath the pleasing modern folk-rock melodies. These elements alone imbue the set with a lot more interest than the average contemporary folk recording. It's not her best album, but it's a typically solid one, with an occasional light (only occasional, and very light) country touch. Still only available in Europe as of 1996.


Genre: Rock

Years Active: '80s, '90s, '00s, '10s

One of the most individual and eclectic figures on the Northern California music scene, Penelope Houston is a singer and songwriter whose music is guided by one sole constant, a fierce honesty that’s informed work encompassing elements of punk rock, indie pop, contemporary folk, jazz, and many points in between. Houston was born in Los Angeles, California on December 17, 1958, and spent most of her childhood in Seattle, Washington. She grew up in a household of music fans and as a teenager she was...
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karmal apple, Penelope Houston
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