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Nilsson Sings Newman

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Album Review

Named Stereo Review's album of the year (and, really, can you ask for a better endorsement than that?) upon its release and generally regarded as the album that introduced Randy Newman the songwriter to a wide audience, Nilsson Sings Newman has gained a reputation of being an minor masterwork. This, in a way, is misguiding, since this isn't an obvious record, where the songs are delivered simply and directly. It's deliberately an album of subtle pleasures, crafted, as the liner notes state, line by line in the studio. As such, the preponderance of quiet piano-and-voice tracks (featuring Newman himself on piano, Nilsson on vocals) means the record can slip away upon the first few listens, especially for anyone expecting an undeniable masterpiece. Yet, a masterpiece is what this is, albeit a subtle, graceful masterpiece where the pleasure is in the grace notes, small gestures, and in-jokes. Not to say that this is devoid of emotion; it's just that the emotion is subdued, whether it's on a straightforward love song ("Caroline") or a tongue-in-cheek tale like "Love Story." For an album that introduced a songwriter as idiosyncratic as Newman, it's only appropriate that Nilsson's interpretations are every bit as original as the songs. His clear intonation and sweet, high voice are more palatable than Randy's slurred, bluesy growl, but the wild thing is, these versions demand that the listeners surrender to Nilsson's own terms. He's created gentle, intricate arrangements of tuneful yet clever songs, and as such, the album may be as much an acquired taste as Newman. Once you've acquired that taste, this is as sweet as honey.

Customer Reviews

A beautiful album

I listened to this for a long time without having known or heard the Randy Newman originals. So it felt like a original album to me. And as one, its just incredibly beautiful. In many of the songs there's a lot of 'space' (see Cowboy). This works really well with Nilssons's airy, light and soft voice. This will probably be more noticeable to people who have heard the Newman versions, which are usually highly orchestrated. So the songs on this album beg to be listened to in a different light. You can sit back, close your eyes, and drift along with the stories of these songs. Its very relaxing, interesting and well worth your time. I'm not sure how people coming from a Newman background will find it, but having listened to the originals recently, I cannot get the Nilsson versions out of my head. I have a feeling that, if your coming to these songs new, you may have to make a choice: Harry or Randy. Eitherway, you'll probably love it.


Born: 15 June 1941 in Brooklyn, NY

Genre: Pop

Years Active: '50s, '60s, '70s, '80s, '90s

Although he synthesized disparate elements of both rock and pop traditions, singer/songwriter Harry Nilsson was at heart a maverick whose allegiance belonged to neither. His initial series of albums in the late '60s made him a personal favorite of the Beatles, who found a natural affinity with his knack for catchy melodies, witty lyrics, and extraordinary vocal range. Thought of as a songwriter first and a performer second, he became a pop star himself in the late '60s and early '70s with "Everybody's...
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