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California

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Album Review

Four years after Disco Volante, Mr. Bungle returns with California, which immediately distinguishes itself from its predecessors — it's probably their most heavily orchestrated record to date and their most melodic overall, as well as the least dependent on rock styles. That's certainly not to imply that this is a tame or immediately accessible record, nor that Mr. Bungle has suddenly gone sane. There is a stronger lounge-music orientation to the group's trademark rapid-fire genre-hopping; we hear more pop, swing, rockabilly, country & western, bossa nova, Hawaiian and Middle Eastern music, jazz, Zappa-esque doo wop, arty funk, post-rock, space-age pop, spaghetti-Western music, warped circus melodies, and even dramatic pseudo-new age, plus just a smidgen of heavy metal. Sure, some of those sounds have appeared on Mr. Bungle records past, but the difference this time is the focus with which the band deploys its arsenal. California is their most concise album to date, clocking in at around 45 minutes; plus, while the song structures are far from traditional, they're edging more in that direction and that greatly helps the listener in making sense of the often random-sounding juxtapositions of musical genres (assuming, of course, that you're supposed to even try to make sense of them). As with any Mr. Bungle album, California requires at least a few listens to pull together, but its particular brand of schizophrenia isn't nearly as impenetrable as that of Disco Volante, even if it will still make you marvel at the fact that such a defiantly odd, uncommercial band recorded for Warner Bros.

Customer Reviews

Goodbye Sobriety

This is the soundtrack to a psychotic episode. I love it more than words can describe, I'd have to plug you in to me to actually make attempt at expressing how well this album conveys/satirises everything thats wriong with contemporary culture. Love it to death.

Greatest ablum ever?

Quite simply I love this album, perhaps more than any other album has ever graced my ears. Why? Because it manages to be schizophrenic and cohesive at the same time, a feat many bands have tried, but never quite pulled off. Mike Patton's (Faith No More, Tomahawk, Fantomas etc) considerable vocal skills are pushed to their limits here it terms of melody and harmonies, and he's backed up by an awesome band that's capable of veering wildly from genre to genre witout making it sound forced or awkward. Standout tracks here are plentyful, from album opener "Sweet Charity" and it's glorious melodies that at times is reminisent of the Beach Boys to the insane, eastern influenced "Ars Moriendi". My favourut track however, it "None of Them Knew They Were Robots", which durinf it's 6 minutes and 4 seconds covers more genre than any other song I've heard, it puts a smile on my face every time I hear it. But almost every this album really will leave you with your jaw firmly agape, so buy it... now.

Quirky brilliance

How can a single album cram in so many different styles of music? ..and often in the same song! Yet, nothing jars; the genres are effortlessly blended and after several listens I still find myself smiling at the bizarreness as well as the catchiness of the music. Ignore their reputation for "difficult" music - this is a modern classic for my collection.

Biography

Formed: 1985 in Eureka, CA

Genre: Alternative

Years Active: '80s, '90s, '00s

Mr. Bungle's sound and approach is a unique mix of the experimental, the abstract, and the absurd (in other words, the finer things in life). It all began in 1985, in a small California town named Eureka. The group (bassist Trevor Dunn, drummer Danny Heifetz, alto saxophonist Theo Lengyel, tenor saxophonist/clarinetist Clinton McKinnon, vocalist Mike Patton, and guitarist Trey Spruance) met while in high school and took their moniker from an extremely corny children's educational film regarding bad...
Full bio