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To Lose My Life...

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iTunes Review

Dark-skied indie anthems served with an irresistible sunburst of euphoria give this debut from west London trio White Lies an eye-catching duality. It’s there in the nocturnal, climbing majesty of “Death”, the operatic grandness of “The Price of Love”—complete with rumbling 25-piece orchestra—and the way “Farewell to the Fairground” turns the image of a dilapidated theme park into four minutes of jerky post-punk magic. Sweeping, atmospheric and utterly exhilarating.

Customer Reviews

True new talent, 80s style

This genuinely is one of the best albums I've purchased over the past 12 months, there ain't a bad song on it. I really hope these guys do well, they deserve to. Amongst all this pop-idol mass produced rubbish that were subjected to it's a relief to hear a genuinely talented act breaking through.

The Revival...

...of post-punk revival. This band are kinda like a cross between Joy Division, Bloc Party and the Editors. This album is amazing. The title track's the obvious standout, but the rest of them are pretty good for a band who've just taken their second gap year. If you like any kind of alternative rock, buy this (of course, listen first - I don't wanna be held responsible if you spend £7.99 and then don't like it).


This album is great, all the songs are immense, theres no need to skip any. The song titles may seem a bit depressing, but the music is a breath of fresh air, and makes you generally happy listening to it. They are such a young and talented band, and I can safely say that they will be BIG this year! I think the best songs are: Death To Lose My Life E.S.T. Farewell To The Fairground The Price Of Love But ALL the songs are great!! I've seen them live and they were brilliant, I want to see them again!! I would DEFINATELY recommend buying this, you won't regret it!


Formed: 2004 in London, England

Genre: Alternative

Years Active: '00s, '10s

A dark-edged trio hailing from London, White Lies take sonic cues from the likes of Joy Division, the Teardrop Explodes, and Echo & the Bunnymen. Indeed, the three musicians are so committed to the U.K.'s post-punk scene that they signed with Fiction Records, a Polydor imprint best known for its '80s releases by the Cure and the Associates. While attending school in West London, singer/guitarist Harry McVeigh, bassist/lyricist Charles Cave, and drummer/keyboardist Jack Lawrence-Brown formed the group...
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