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Music From The Unrealized Film Script: Dusk At Cubist Castle

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Album Review

Not the Beatles, but an incredible facsimile: on their sprawling 27-song debut opus, Music From the Unrealized Film Script, Dusk at Cubist Castle, the Olivia Tremor Control manage to summon not only the sound of the White Album-era Fab Four, but also the unfettered creativity. The soundtrack to an unmade film about a pair of women named Olivia and Jacqueline and a massive earthquake dubbed the California Demise, the album incorporates a slew of influences and textures (including Beach Boys-flavored pop, psychedelia, Krautrock, noise, and folk-rock) and synthesizes them into a distinct homebrew of shimmering harmonies, guitar drones, backward tape loops, and inventive effects. As an added bonus, the first few thousand copies came with a bonus CD of ambient "dream sequences" — titled Explanation II — which, when played simultaneously with the first disc, realizes true quadraphonic sound. Amazing.

Biography

Formed: 1992 in Athens, GA

Genre: Alternative

Years Active: '90s

As much a concept as a band, the Olivia Tremor Control was one of the most visible and innovative members of the Elephant 6 collective, a coterie of like-minded, lo-fi indie groups — including the Apples in Stereo, Neutral Milk Hotel, and Secret Square — who shared musicians, ideas, and sensibilities. The Olivia Tremor Control was led by singers/songwriters/multi-instrumentalists Will Cullen Hart and Bill Doss, natives of the small, isolated town of Ruston, Louisiana,...
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