Pan's Labyrinth (Original Soundtrack)
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||Long, Long Time Ago||Javier Navarrete||2:11||£0.79||View In iTunes|
||The Labyrinth||Javier Navarrete||4:07||£0.79||View In iTunes|
||Rose, Dragon||Javier Navarrete||3:36||£0.79||View In iTunes|
||The Fairy & the Labyrinth||Javier Navarrete||3:36||£0.79||View In iTunes|
||Three Trails||Javier Navarrete||2:07||£0.79||View In iTunes|
||The Moribund Tree & the Toad||Javier Navarrete||7:11||£0.79||View In iTunes|
||Guerrilleros||Javier Navarrete||2:08||£0.79||View In iTunes|
||A Book of Blood||Javier Navarrete||3:49||£0.79||View In iTunes|
||Mercedes Lullaby||Javier Navarrete||1:37||£0.79||View In iTunes|
||The Refuge||Javier Navarrete||1:34||£0.79||View In iTunes|
||Not Human||Javier Navarrete||5:53||£0.79||View In iTunes|
||The River||Javier Navarrete||2:51||£0.79||View In iTunes|
||A Tale||Javier Navarrete||1:53||£0.79||View In iTunes|
||Deep Forest||Javier Navarrete||5:48||£0.79||View In iTunes|
||Vals of the Maldrake||Javier Navarrete||3:41||£0.79||View In iTunes|
||The Funeral||Javier Navarrete||2:46||£0.79||View In iTunes|
||Mercedes||Javier Navarrete||5:37||£0.79||View In iTunes|
||Pan & the Full Moon||Javier Navarrete||5:07||£0.79||View In iTunes|
||Ofelia||Javier Navarrete||2:20||£0.79||View In iTunes|
||A Princess||Javier Navarrete||4:02||£0.79||View In iTunes|
||Pan's Labyrinth Lullaby||Javier Navarrete||1:52||£0.79||View In iTunes|
The 2007 Academy Award nominations argued that film scoring is not only popular music's most eclectic genre, but its most internationally diverse as well. Joining Americans Philip Glass (Notes On a Scandal) and Thomas Newman (The Good German) in the honors were Frenchman Alexandre Desplat (The Queen), Argentine Gustavo Santaolalla (Babel) and Spaniard Javier Navarette for this music to Guillermo Del Toro's masterful parallel-world fantasy. The composer contrasts the film's unsettling aura with spare orchestral music that more often than not evokes a sort of wondrous, weary melancholy. Using a breathy, wordless lullaby to introduce a theme whose permutations become the score's musical axis, it initially recalls Morricone's early '70s dabblings in the horror genre, but quickly develops a distinct character and delicate touch all its own, especially in its darkest — and most glorious — corners. Director Del Toro may have ultimately omitted swaths of Navarette's score from the film's final cut, but he's wisely insured its full release here, a fitting honor for the composer's first Oscar nod.
dark & spellbindingly beautiful
A magic piece of work,a lot of love & care has gone into this soundtrack ,complements the sublime film & more.Im sleeping to this most nights.Javier i salute you
A beautiful album of haunting music.Transports those who have seen the amazing film, or just those with imagination, to a magical place courtesey of the wonderful Javier Navarrete..you ll not be disappointed!!!
Brilliant, magical and enchanting . . .
This little album is fantastic with a distinctive tune that is used all the way through. It is a bit dark with some 'happy' bits. The songs are beautiful and I really liked it and recommend it to people who like soundtracks for films like this. I love soundtracks for things like 'Nightmare before Christmas' and 'Corpse Bride', so this was a instant recommendation for me (despite the fact that they are a little crazier and less restrained than this). Listen to it and decide for yourself.