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The Dream

The Orb

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Album Review

The Orb's 2005 classic on the Kompakt label — aptly titled Okie Dokie It's the Orb on Kompakt — easily proved that Dr. Alex Paterson and company could hang with the techno avant-garde of the new millennium, taking the minimalist blueprint of many who had followed the Orb and delivering a great record within that context. The follow-up The Dream is just as good, but in a completely different way. Ironically, it sounds more Orb-like than any other record they've done. (There's a certain inverse surprise in following the least likely record with the most likely.) The Orb's return to the green fields of sample-laden ambient-dub may not be welcome to all, but it's clear they've applied a few lessons learned from the Kompakt LP — it's one of the best-produced of the Orb's career. Paterson returns not just with his own lofty production smarts, but with one of the other best British producers of the past 20 years, Youth, back on board for the first time since the dawn of the group. (The third member of this Orb is Dreadzone's Tim Bran.) The single "Vuja De" has everything in its right place: a bruising technoid bassline, clattering dubwise piano chords, and even an anthemic Eastern-styled female vocal that arrives at just the right time and works surprisingly well, despite its inherent poppiness. True to the title, the entire album is just as gloriously hazy as past Orb work. Granted, it rarely diverts from the pattern — mind-expanding dub with excellent pacing and something always going on. (The "things" going on include, but aren't limited to, more vocal samples than any Orb album of the past; a ragga chatter named the Corpral popping up on several tracks; two different female vocalists, and Steve Hillage on guitar in four separate places). The Dream isn't just produced well but also programmed well, only slowing down after 73 minutes to a gradual halt on the dreamy underwater backbeats of "Codes" and the beatless closer "Orbisonia." After succeeding on someone else's terms, it's quite a feat to turn around and succeed on your own yet again.

Customer Reviews

Welcome to a rather spherical party

Dream pie anyone?....by my own admission, the flavours are sensational. This concentric collection of concise and candid canticles is definitely (almost) up there with my world famous cream tea and cake party, only i feel sure that my pastries had marginally more spherical edges. It could be considered within the realms of possibility that Sleeping Tigers and The Gods Unknown is the most beautiful, dreamy zephyr ever etched to analogue....although at around one minute long the cook most certainly put too little salt in the batter mix. Still, the gaffer thought it a lovely accompaniment to the Earl's Grey. Quaffoot you?

Best of

If you had to pick one ambient artist that both sums up the genre and pushes it to its limits, chances are you'd pick The Orb.

No other act has brought together the requisite qualities (including humour) to challenge their claim as both pioneers and grand masters of such music.

In my humble opinion, and against the odds, The Dream represents their best and most accessible album to-date. Everything hangs together perfectly, whether it's dub-like beats or floating ambience, each track rolls into the other with an energy and vibe of its own. This could easily last double its 70 minute running time and yet still feel too short.

Don't get me wrong, I love UFOrb and Advenures in the Ultraworld but this has an accessibility that means it is both daytime energiser and after-hours soother. If he was resident at my local medical practice, Dr. Alex would be my choice every time!

Download, absorb and enjoy!

Uniquely Awesome

Best way to explain it here is...just listen, it gets better and better. This 2008 release reminds me of the earlier stuff they did in the nineties, but with a more magical twist. Thanks for The Orb!

Biography

Formed: 1989 in London, England

Genre: Electronic

Years Active: '80s, '90s, '00s, '10s

The Orb virtually invented the electronic genre known as ambient house, resurrecting slower, more soulful rhythms and providing a soundtrack for early-morning ravers once the clubs closed their doors. The group popularized the genre as well, by appearing on the British chart show Top of the Pops and hitting number one in the U.K. with the 1992 album U.F.Orb. Frontman Dr. Alex Paterson's formula was quite simple: he slowed down the rhythms of classic Chicago house and added synth work and effects...
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The Dream, The Orb
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