11 Songs, 27 Minutes

EDITORS’ NOTES

A young, obscure British singer-songwriter followed up two critically well-received but commercially disappointing albums of orchestral folk-pop with this stripped-down, bare and beautiful album from 1972. There's a lot of romantic hoo-hah surrounding tortured poet Drake, who died of an apparent overdose of antidepressant medication two years after the album's release, while still in his mid twenties. While the lyrics are not exactly upbeat ("You can say the sun is shining if you really want to," "I am the parasite of this town") this isn't really a downer album per se. It certainly is unrelentingly beautiful, pulling repeatedly at your heartstrings without ever resorting to cheap sentiment. With Drake's rich melodic voice and acoustic guitar abetted occasionally by a spare piano, Pink Moon is perfect music for a rainy day-whether you buy into its romantic myth or not.

EDITORS’ NOTES

A young, obscure British singer-songwriter followed up two critically well-received but commercially disappointing albums of orchestral folk-pop with this stripped-down, bare and beautiful album from 1972. There's a lot of romantic hoo-hah surrounding tortured poet Drake, who died of an apparent overdose of antidepressant medication two years after the album's release, while still in his mid twenties. While the lyrics are not exactly upbeat ("You can say the sun is shining if you really want to," "I am the parasite of this town") this isn't really a downer album per se. It certainly is unrelentingly beautiful, pulling repeatedly at your heartstrings without ever resorting to cheap sentiment. With Drake's rich melodic voice and acoustic guitar abetted occasionally by a spare piano, Pink Moon is perfect music for a rainy day-whether you buy into its romantic myth or not.

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About Nick Drake

A singular talent who passed almost unnoticed during his brief lifetime, Nick Drake produced several albums of chilling, somber beauty. With hindsight, these have come to be recognized as peak achievements of both the British folk-rock scene and the entire rock singer/songwriter genre. Sometimes compared to Van Morrison, Drake in fact resembled Donovan much more in his breathy vocals, strong melodies, and the acoustic-based orchestral sweep of his arrangements. His was a much darker vision than Donovan's, however, with disturbing themes of melancholy, failed romance, mortality, and depression lurking just beneath, or even well above, the surface. Ironically, Drake has achieved a far greater stature in the decades following his death, with an avid cult following that grows by the year.

Part of Drake's failure to attract a mass audience was attributable to his almost pathological reluctance to perform live. It was at a live show in Cambridge, however, that a member of Fairport Convention saw Drake perform, and recommended the singer to producer Joe Boyd. Boyd, already a linchpin of the British folk-rock scene as the producer for Fairport and the Incredible String Band, asked Drake for a tape, and was impressed enough to give the 20-year-old a contract in 1968.

Drake's debut, Five Leaves Left (1969), was the first in a series of three equally impressive, and quite disparate, albums. With understated folk-rock backing (Pentangle bassist Danny Thompson plays bass on most of the cuts), Drake created a vaguely mysterious, haunting atmosphere, occasionally embellished by tasteful Baroque strings. His economic, even pithy, lyrics hinted at melancholy, yet any thoughts of despair were alleviated by the gorgeous, uplifting melodies and Drake's calm, measured vocals. Bryter Later (1970) was perhaps his most upbeat effort, featuring support from members of Fairport Convention, and traces of jazz in the arrangements. On some cuts, the singer/songwriter, remarkably, dispensed with lyrics altogether, offering only gorgeous, orchestrated instrumental miniatures that stood well on their own.

Neither album sold well, and Drake, already a brooding loner, plunged into serious depression that often found him unable to make music, work, or even walk and talk. He managed to produce one final full-length work, Pink Moon (1972), a desolate solo acoustic album that ranks as one of the most naked and bleak statements in all of rock. He did record a few more songs before his death, but no more albums were completed, although the final sessions (along with some other fine unreleased material) surfaced on the posthumous compilation Time of No Reply.

Drake's final couple of years were marked by increasing psychiatric difficulties, which found him hospitalized at one point for several weeks. He had rarely played live during his days as a recording artist, and at one point declared his intention never to record again, although he wished to continue to write songs for others. (It's been reported that French chanteuse Françoise Hardy recorded some of Drake's songs, but she hasn't released any.) On November 25, 1974, he died in his parents' home from an overdose of antidepressant medication; suicide has been speculated, although some of his family and friends dispute this.

In the manner of the young Romantic poets of the 19th century who died before their time, Drake is revered by many listeners today, with a following that spans generations. Baby boomers who missed him the first time around found much to revisit once they discovered him, and his pensive loneliness speaks directly to contemporary alternative rockers who share his sense of morose alienation. ~ Richie Unterberger

HOMETOWN
Rangoon, Burma
BORN
19 June 1948

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