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Rock Action

Mogwai

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Album Review

Sripping away much of the noodling and noise of their earlier work in favor of tighter structures, more immediate melodies, and vocals, on Rock Action Mogwai recaptures the excitement that surrounded their first releases. Like so many groups stuck with the post-rock tag, Mogwai needed a way to expand beyond the term without changing their sound completely, and aided by guests like producer Dave Fridmann and Super Furry Animals' Gruff Rhys, they've found it. Rock Action incorporates bristling distortion, propulsive drums, and electronic textures similar to Tortoise's Standards — particularly on the opening track "Sine Wave" — but the album's most remarkable moments revisit and reinvent more traditional sounds. Buoyed by lush string arrangements and Fridmann's detailed, warm production, the brooding ballads "Take Me Somewhere Nice" and "Dial: Revenge" couldn't be further from "rock action," but they display the album's refreshing restraint and immediacy. In particular, "Dial: Revenge" — so named because "dial" is the Welsh word for "revenge" — benefits from Rhys' emotive yet cryptic vocals in his mother tongue, but the general emphasis on vocals adds to the album's organic, emotive feel. Nowhere is this more evident than the nine-minute epic "2 Rights Make One Wrong": With its lush layers of brass, strings, banjo, guitars, and vocals, it sounds like the rock-oriented cousin of Jim O'Rourke's pocket symphonies. Meanwhile, "You Don't Know Jesus" uses its eight-minute length to reaffirm that the group is still at the top of its game when it comes to guitar-driven catharsis. "Secret Pint" sends the album out on a serene note, proving that in the proper hands, the quietest ballad is just as commanding as the loudest rock action; Rock Action shows that Mogwai have mastered both styles.

Customer Reviews

Mogwai at their best

It does not feel like nine years have passed since Mogwai released Rock Action, how time flies. More to the point why has no-one reviewed this album? I cannot believe it, therefore I felt compelled to leave a quick review to act like a beacon in the maelstrom, BUY THIS ALBUM! or at least listen to it a few times and absorb its particular beauty.

I had got into Mogwai when a friend borrowed me CODY, which was amazing in its atmosphere and sonic youth-y sprawl. The Stanley Kubrick EP blew me away and I really fell hard for Mogwai, even without vocals (which I love), they spoke to me so much.

But Rock Action introduced a hint of electronica; rising loops of damaged, distorted drums; broken electronics that seemed to bubble under the surface. All wrapped up so beautifully and elegantly, this album is pure class, the sound of a band at their creative peak IMHO. Some vocals by Gruff Rhys that added an element to their sound that may have been missing previously, he is really underrated.

Anyway get hold of this album, it deserves to be heard.

Biography

Formed: 1996 in Glasgow, Scotland

Genre: Alternative

Years Active: '90s, '00s, '10s

The cosmic post-rock band Mogwai were formed in Glasgow, Scotland, in 1996 by guitarist/vocalist Stuart Braithwaite, guitarist Dominic Aitchison, and drummer Martin Bulloch, longtime friends with the goal of creating "serious guitar music." Toward that end, they added another guitarist, John Cummings, before debuting in March 1996 with the single "Tuner," a rarity in the Mogwai discography for its prominent vocals; the follow-up, a split single with Dweeb titled "Angels vs. Aliens," landed in the...
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