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In Dreams

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Album Review

The ambitious In Dreams embraces electronics with a fervor unmatched by Elliot Goldenthal's previous scores. While his signature orchestral sensibilities remain firmly entrenched, the music's reliance on dissonant, otherworldly sound effects contributes most to its effective evocation of filmmaker Neil Jordan's nightmare world. Not all of Goldenthal's effects are synthetic, either. Squawking saxophone, abrasive guitar, and dissonant strings further establish a bleakly surreal soundscape rife with mystery and portent. A challenging listen by any definition, In Dreams works better onscreen than on record, but it nevertheless represents a creative breakthrough one hopes Goldenthal will further refine across subsequent efforts.

Customer Reviews

Dreamy Baby

For those wanting a bit of Liz you can't do wrong on the last track. 4 minutes of pure lushness


Born: 02 May 1954 in New York, NY

Genre: Soundtrack

Years Active: '80s, '90s

Composer Elliot Goldenthal was born May 2, 1954, in New York City, going on to study at the Manhattan School of Music under John Corigliano and Aaron Copland. He first rose to prominence in 1988 for his Obie Award-winning work on Juan Darien: A Carnival Mass, a collaboration with his wife, director Julie Taymor. The following year, Goldenthal also scored his first feature film, Gus Van Sant's superb Drugstore Cowboy, continuing to alternate between stage and screen throughout his career. In 1990,...
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