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Of the Heart, of the Soul and of the Cross: The Utopian Experience

P.M. Dawn

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Album Review

It may not have been embraced by the entire hip-hop community, but P.M. Dawn's ponderously titled debut Of the Heart, of the Soul and of the Cross: The Utopian Experience was a startling reimagination of the music's possibilities. In the post-De La Soul age, hip-hop seemed open to all sorts of eccentrics, but P.M. Dawn was still difficult for purists to accept: They were unabashed hippies whose sound and sensibility held very little street appeal, if any. Of the Heart... is soaked in new age spirituality and philosophical introspection, and a song title like "To Serenade a Rainbow" is likely to raise eyebrows among more than just skeptical b-boys. It's true that there's some occasional sappiness and navel-gazing, but it's also true that the group's outlook is an indispensable part of its musical aesthetic, and that's where Of the Heart... pushes into the realm of transcendence. It still sounds revolutionary today, although you'd have to call it a Velvet Revolution: It's soft and airy, with ethereal vocal harmonies layered over lush backing tracks and danceable beats. The shimmering ballads "Set Adrift on Memory Bliss" (built on an unlikely sample of Spandau Ballet's "True") and "Paper Doll" were the hits, but they aren't quite representative of the album as a whole. Some tracks, like "Comatose" and "A Watcher's Point of View (Don't 'Cha Think)," are surprisingly funky and driving, and there's also an even more explicit nod to the dancefloor in the Todd Terry hip-house collaboration "Shake." The more reflective raps ("Reality Used to Be a Friend of Mine," "Even After I Die," "In the Presence of Mirrors") strike a fascinating balance between those sensibilities, and there's still little else like them. In the end, Of the Heart... is enormously daring in its own way, proving that pop, R&B, and hip-hop could come together for creative, not necessarily commercial, reasons.

Customer Reviews

Cracking

I used to own this back in the day. It was one of the CDs that my ex got custody of. I completely forgot about it until I heard "Set adrift on memory bliss" on the radio the other day. Definitely not mainstream hip-hop, more of a chillout hip-hop IYSWIM. Well worth a listen. -- Stuart

20 years on and it still sounds great

I used to love this album when it originally came out. It was really intelligent and blissful to listen to, even if it lacked the street cred this genre normally demands. I had my music collection stolen, I forgot about it and it didn't get replaced. I've just rediscovered it and I can't believe how good it sounds, even today. Chilled summer tunes with lyrical depth. I am pleased to say it still stands tall. It's not perfect and therefore doesn't get five stars but it is certainly very good.

Still a great album

Calling it an album that must be heard in sequence as originally released, every second is still perfect, 20-odd years on! Love it like I do and not just to bump'n'grind!

Biography

Formed: 1988

Genre: Hip-Hop/Rap

Years Active: '80s, '90s, '00s, '10s

Comprised of brothers Prince Be (Attrell Cordes) and DJ Minute Mix (Jarrett Cordes), the early-'90s group P.M. Dawn straddled the gap between hip-hop and smooth '70s-style soul, creating an innovative urban R&B that owed as much to pop as it did to rhythm and blues. The brothers recorded their debut single, "Ode to a Forgetful Mind," in 1988, but P.M. Dawn didn't release a full-length album until 1991. The record, Of the Heart, of the Soul, of the Cross: The Utopian Experience, was an immediate...
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Of the Heart, of the Soul and of the Cross: The Utopian Experience, P.M. Dawn
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