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Shadow

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Album Review

The Nottingham-based band Little Barrie is one of those groups that always exists at the cusp of breaking big. Maybe that's because they draw from the past and present in equal measure, creating a pulsating psychedelia that also is happily pop, the kind of sound that seemed fresh when it was revived in the '80s, '90s, 2000s, and now the 2010s. What keeps the kind of psychedelia Little Barrie peddles on Shadow fresh is how it's tied to no era, whether it's the '60s of its foundation or the revival from which it is founded. Often, the band does recall other groups — sometimes, there's a groove that harks back to the '60s, as when "Pauline" grooves on a British R&B pulse — but often, the band seems to occupy a territory between Primal Scream and Oasis, alternating worship of feel with a respect for song. Sometimes the group is a little slippery, riding atmosphere instead of melody or hook, but that doesn't hurt Shadow because the group enjoys both aspects of record-making, seizing upon a well-constructed song whenever it happens but otherwise enjoying feel, the bandmembers letting themselves dig deep into the swirl of echo and reverb and the cascade of melody.

Customer Reviews

Best album of 2014 so far

Great album by the criminally underrated Little Barrie. Each album has been a progression on the last, and on Shadow, their fourth, they are really flying. Superb stuff.

Biography

Genre: Rock

Years Active: '00s, '10s

Little Barrie are a London-based trio whose sound is an exciting blend of hard rock, blues, soul, and funk that calls to mind classic bands of the '60s like Traffic and Cream, and whose loose and groovy earthiness earns them a place near the front of the jam band class. Formed in Nottingham in 2000 by Barrie Cadogan (guitar, vocals), Wayne Fulwood (drums, vocals), and Lewis Wharton (bass), Little Barrie released a handful of singles for small labels like Stark Reality and Showdown before getting...
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Shadow, Little Barrie
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