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Sleeping With the Enemy (Original Motion Picture Soundtrack)

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Album Review

A strangely upbeat score ill-suited to the stalker thriller it accompanies, Sleeping with the Enemy functions far better outside of a cinematic context — taken purely as a listening experience, one can fully appreciate the lyricism and beauty of Jerry Goldsmith's melodies. With its lithe woodwind solos, measured electronics, and feather-light strings, the main theme boasts a luminous charm perfectly attuned to headliner Julia Roberts' star wattage. While subsequent themes explore the danger and darkness intrinsic to the suspense genre, Goldsmith fails to achieve a level of dread commensurate to his best work in this vein, exhibiting little of the creativity present in the score's sunnier moments. Columbia's official soundtrack release also includes Van Morrison's blue-eyed soul classic "Brown Eyed Girl," further cementing the notion that Sleeping with the Enemy is more a tribute to Roberts' allure than a full-fledged motion picture score.


Born: 10 February 1929 in Los Angeles, CA

Genre: Soundtrack

Years Active: '50s, '60s, '70s, '80s, '90s, '00s

For over four decades, Jerry Goldsmith ranked among the film and television industry's most highly-regarded and prolific composers; at the peak of his activity during the 1960s, he was estimated to have scored an average of about six films annually. Born in Los Angeles on February 10, 1929, Goldsmith studied music at the University of Southern California, and after accepting a job as an office clerk at CBS television later graduated to the network's music department in 1950. There he composed themes...
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