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Bauhaus (1979 -1983), Vol. 1

Bauhaus

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Album Review

If all single-artist compilations were like this, the world would be a much better place — while lacking liner notes, or even specific references as to what songs come from where, 1979-1983: Vol. 1, drawing mostly from In the Flat Field and Mask, does a frankly smashing job at capturing the many early high points of Bauhaus' recording career. No real obscurities appear — singles tracks like "Dark Entries" and "Terror Couple Kill Colonel" had been available on EP and would soon be reissued with the Field CD — while the version of "Bela Lugosi's Dead" in fact is the live take from the Press the Eject album. As an overview, though, it's just flat-out great, covering many of the band's different facets, from aggressive thrash ("Double Dare," "In the Flat Field," "Hair of the Dog") to mysterious, arty shades ("A God in an Alcove," "Spy in the Cab," "Mask") and more. While one could argue over including other worthwhile tracks — the nutty humor of "Of Lillies and Remains" would have demonstrated the band's reach even more — 1979-1983: Vol. 1 remains as near perfect a starting place for a neophyte listener as any.

Biography

Formed: 1978 in Northampton, England

Genre: Alternative

Years Active: '70s, '80s, '90s, '00s

Bauhaus are the founding fathers of goth rock, creating a minimalistic, overbearingly gloomy style of post-punk rock driven by jagged guitar chords and cold, distant synthesizers. Throughout their brief career, the band explored all the variations on their bleak musical ideas, adding elements of glam rock, experimental electronic rock, funk, and heavy metal. While their following...
Full bio

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