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McCoy Tyner

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Album Review

McCoy Tyner's work with the John Coltrane Quartet is well documented, and this CD marks a welcome return to that format. Recorded live at Yoshi's in Oakland, CA, over New Year's, Joe Lovano does the honors in the tenor sax chair, while bassist Christian McBride and drummer Jeff "Tain" Watts hold the rhythm section together with honor, passion, and drive. The world-class bassist and drummer, usually known for their overt showmanship and over the top chops, show remarkable restraint and sensitivity throughout. Tyner and friends play several of his original compositions, well-known and revered over the years. Lovano sounds, eerily enough, like Pharoah Sanders, employing a slightly staggered expansive vibrato on "Walk Spirit, Talk Spirit," while using a more haunting stance à la Coltrane for "Mellow Minor," a new modern mainstream tune. Sounding more like himself, Lovano and the group join a loping desert caravan for the beautiful "Sama Layuca," with Lovano playing the part originally written for flute. They rip through "Passion Dance" and melt abject militarism during the poignant ballad "Search for Peace." Tyner, in character, utilizes a minimalist palette to extrapolate on improvisationally during his solos. After reported health problems, it is good to hear he is sounding quite inspired and energetic during the entire date. The happy song "Blues on the Corner" further cements his upbeat demeanor, while the finale/solo standard "For All We Know" is truly the real McCoy, replete with the many flourishes, dynamism, and harmonic colorations that distinguish him from all others. In many ways this is a remarkable date, a well-paced program with all the pieces (save "For All We Know") timed at around ten minutes, proof positive that Tyner's game is still very much on, and hovering at a very high level. ~ Michael G. Nastos, Rovi

Biography

Born: 11 December 1938 in Philadelphia, PA

Genre: Jazz

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

It is to McCoy Tyner's great credit that his career after John Coltrane has been far from anti-climatic. Along with Bill Evans, Tyner has been the most influential pianist in jazz of the past 50 years, with his chord voicings being adopted and utilized by virtually every younger pianist. A powerful virtuoso and a true original (compare his playing in the early '60s with anyone else from the time), Tyner (like Thelonious Monk) has not altered his style all that much from his early days but he has...
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