Opening the iTunes Store.If iTunes doesn’t open, click the iTunes icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from The House of Dolls by Gene Loves Jezebel, download iTunes now.

Do you already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

The House of Dolls

Open iTunes to preview, buy and download music.

Album Review

Tagged by most fans as their favorite Gene Loves Jezebel album, with its fabulous sonics, punchy rhythms, soaring guitars, and bright and brash pop melodies, this is also the record responsible for sundering the band. In one fell swoop, producer Peter Walsh turned GLJ from a band whose brilliance lay in their ability to blend rock and goth into something truly unique, into a pop/rock monster. The group itself never sounded better. The rhythm section is exceptionally tight and powers the songs like a metronome. James Stevenson's guitar literally shines, glimmers, glitters, and swoops through the grooves. It's no surprise then that the album contained a slew of songs that quickly became college/dance classics. The infectious "The Motion of Love"; the sweeping lushness of "Gorgeous," guaranteed to hook the listener at first listen; the pulsating, yearning paranoia of "Suspicion"; and the driving "Twenty Killer Hurts," which turned up in a Miami Vice episode, were classic GLJ's songs given an American sheen. What were missing were the gothic shadows, darkwave jangle, and Celtic undertones that once enmeshed the band's sound. The Jezzies themselves hated The House of Dolls, not the songs themselves, but the slick production Walsh covered them in. Co-vocalist Michael Aston hated it most of all, and was frustrated by the group's growing pop affiliation. He quit the band in the middle of recording, and appears on only two tracks, "Message" and "Up There," the album's broodier tracks. Although he later returned, this was to be his last recording with the band. Of course, the album turned out to be GLJ's most successful, abetted by the production, and aided by Stevenson's full-on arena-esque guitar. It's hard to believe this was the same band that gave the world Promise and Immigrant, and in a way it wasn't.

Customer Reviews

At last...

... the best GLJ album is on i-tunes. They never quite hit the mark again like they did with this record. James Stevenson guitar work is brilliant and the rhythm section of Rizzo and Bell outstanding. Quite why beggars haven't done one their excellent re-issue jobs like they did with the earlier Jezzie lp's,Bauhaus and The Cult is beyond me. Download this lp and remember the Jezzies at their best before the brothers started suing each other.


Formed: 1981 in Porthcawl, Wales

Genre: Alternative

Years Active: '80s, '90s, '00s, '10s

Twin brothers Jay and Michael Aston began playing music in 1980 when they formed Slav Arian with guitarist Ian Hudson and a drum machine. Though the Astons grew up in Porthcawl, South Wales, they moved to London in 1981 and renamed the goth-influenced group Gene Loves Jezebel. The trio played several live shows and were quickly signed by Situation 2. In May 1982, the label released Gene Loves Jezebel's demo single, "Shavin' My Neck." The band then added bassist Julianne Regan and drummer Dick Hawkins....
Full bio
The House of Dolls, Gene Loves Jezebel
View In iTunes

Customer Ratings

0 0 0 We have not received enough ratings to display an average for this album.