Opening the iTunes Store.If iTunes doesn’t open, click the iTunes icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from Blemish by David Sylvian, download iTunes now.

Do you already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC


Open iTunes to preview, buy and download music.

Album Review

The fractured, stark yin to Dead Bees on a Cake's tranquil, sensuous yang, Blemish is an unforeseen detour taken by David Sylvian, who has made eight of his most bare, anguished, and intense songs, all of which are neither pleasant nor the least bit settling. For half of the album, Sylvian is completely alone, accompanied only by his own guitar and electronic treatments. On the others, he is joined by either Derek Bailey or Christian Fennesz, two guitarists with indispensable roles. The opening title track sets the tone, with heavily echoed noise fibers warping and reverberating for nearly 14 minutes. The effects swell and recede at a disquieting but sunken volume, while Sylvian's upfront voice — more stripped and vulnerable than it was in Japan's "Ghosts" — slips in lines like "I fall outside of her," "Give me one more chance to do things right," and "Life's for the taking, so they say — take it away." Bailey's improvised work appears in three songs and is most complementary during "The Good Son," in which his prickles and sudden spasms carry and push, rather than support, Sylvian's voice. "A Fire in the Forest," the album's own "Somewhere Over the Rainbow," lets the listener out with a battered sense of optimism. Featuring an arrangement from Fennesz, a melody struggles to find its way out of twisted fragments and soft beams of noise, as Sylvian sings of his search to reach the sunshine that awaits him above gray skies. Throughout the album, clues are dropped about the events that transpired and the circumstances surrounding them, but it's all left to be pieced together and interpreted by the listener, who will have to sift through the hedged lines, meticulously organized sounds — from rattling shopping carts to handclaps to delicate fragments of guitar — and numerous disfigurations of clear-cut linear thought. Blemish is the kind of record that provokes many longtime followers to throw up their arms in aggravation — it's very much a "final straw" record. A work of beautiful, desolate fragility, Blemish is also the kind of record that will have the opposite effect on a select few, most of whom no doubt obsess over records like Scott Walker's Tilt and Mark Hollis' Mark Hollis.


Born: 23 February 1958 in Lewisham, London, England

Genre: Rock

Years Active: '70s, '80s, '90s, '00s, '10s

Following the 1982 dissolution of Japan, the group's onetime frontman David Sylvian staked out a far-ranging and esoteric career that encompassed not only solo projects but also a series of fascinating collaborative efforts and forays into filmmaking, photography, and modern art. Born David Batt in Kent, England, on February 23, 1958, Sylvian formed Japan in 1974 and served as primary singer/songwriter throughout the group's eight-year existence. Just prior to Japan's breakup, Sylvian began working...
Full bio