Tunnel Into Summer
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||Simple Pleasures||Kimberley Rew||4:08||£0.79||View in iTunes|
||Heart of the Sun||Kimberley Rew||3:41||£0.79||View in iTunes|
||If There's an Answer||Kimberley Rew||3:20||£0.79||View in iTunes|
||Rosemary Jean||Kimberley Rew||3:30||£0.79||View in iTunes|
||Tunnel Into Summer||Kimberley Rew||3:56||£0.79||View in iTunes|
||Tart With the Heart||Kimberley Rew||3:03||£0.79||View in iTunes|
||Beautiful Ruth||Kimberley Rew||3:38||£0.79||View in iTunes|
||Little Ray of Sunshine||Kimberley Rew||3:34||£0.79||View in iTunes|
||The Truth||Kimberley Rew||3:14||£0.79||View in iTunes|
||The Radio Played Good Vibrations||Kimberley Rew||3:43||£0.79||View in iTunes|
||Plas Yn Rhiw||Kimberley Rew||2:56||£0.79||View in iTunes|
||Honey Is That Love||Kimberley Rew||3:59||£0.79||View in iTunes|
||Alice Klar||Kimberley Rew||3:28||£0.79||View in iTunes|
If you had to predict what a Kimberley Rew solo album would sound like (and this one is his formal debut, discounting the 1982 compilation The Bible of Bop), based on his tenure in the Soft Boys and Katrina and the Waves you would figure that it would contain some good songs — this is the man who wrote "Walking on Sunshine" and "Going Down to Liverpool" — and have some good, chiming guitar playing. But, since Rew took a back seat to Robyn Hitchcock in the Soft Boys and to Katrina Leskanich in Katrina and the Waves, you might expect that he wouldn't be much of a singer or frontman. The surprise of Tunnel Into Summer, therefore, is that he turns out to be an entirely competent singer, sounding like a somewhat more engaged Hitchcock with his pronounced English accent. He doesn't have the presence as a singer that experience gives you, but he has no trouble carrying a tune, and he sings his own lyrics enthusiastically. Not surprisingly, the other elements in his music are in place: the guitars do dominate the pop/rock arrangements, and they ring out pleasantly; and there are several excellent songs. There may not be any hits in the making like "Walking on Sunshine," but the catchy opening number, "Simple Pleasures," and "Plas yn Rhiw" (a British geography title as unfriendly to American ears as Paul McCartney's "Mull of Kintyre") deserve to join the short list of the songwriter's best efforts. Also not surprising is that, as a solo artist, Rew splits the difference in terms of style between his two major group affiliations. His solo music recalls the work of the Soft Boys and Hitchcock's solo work, and given that ex-Soft Boy Andy Metcalfe produced and played on many of the tracks and that Hitchcock also guested on a few, that's to be expected. But Rew is not interested in the same lyrical conundrums that Hitchcock explores so obsessively. His writing is optimistic, not convoluted, which recalls the more overtly pop songs he contributed to Katrina and the Waves. It may be that the result won't quite please Hitchcock or Katrina fans, but with this release Rew deserves to start gathering some fans of his own.
History is littered with underrated powerpop talent - somehow Teenage Fanclub never attracted the attention that their blunt instrument labelmates Oasis got, despite writing better tunes - and Kimberley Rew is another example. You wouldn't think after fifty years of rock n'roll that there are still new three chord tricks that don't sound like any others. He's found some. Better still, the chiming, jangling guitar work is accompanied by intelligent, reflective lyrics that sit comfortably alongside Ray Davies and the Records' Will Birch: undeniably English, warm, intelligent and memorable. This and Great Central Revisited are essential listening for anyone who thought the craft of quality pop-rock songwriting was lost for ever. Buy!!
Years Active: '80s, '00s, '10s