11 Songs

EDITORS’ NOTES

For Chelsea Wolfe, every day is Halloween. Her music's haunted, and she's obsessed with love, death, and the absurd. The Greek chorus that follows her—wordless but moaning—throughout "The Way We Used To" sounds as if the sirens are calling her to the deep. "Spinning Centers" admits that death is spinning after her. Wolfe's voice remains high and spooked as creaky violins support her fall. "Appalachia" strips down the reverb considerably for a lurching folk song that brings her voice closer to the surface. "I Died with You" is flat-out creepy, with her voice multi-tracked and in its highest range. It serves as a 32-second intro to "Boyfriend," an acoustic track that looks upon a suffering relationship as a death sentence. Wolfe's belief in these songs and commitment to the material gives her license to exploit the melodrama. She isn't writing songs so much as little horror films, where no one gets out without serious damage to the soul.

EDITORS’ NOTES

For Chelsea Wolfe, every day is Halloween. Her music's haunted, and she's obsessed with love, death, and the absurd. The Greek chorus that follows her—wordless but moaning—throughout "The Way We Used To" sounds as if the sirens are calling her to the deep. "Spinning Centers" admits that death is spinning after her. Wolfe's voice remains high and spooked as creaky violins support her fall. "Appalachia" strips down the reverb considerably for a lurching folk song that brings her voice closer to the surface. "I Died with You" is flat-out creepy, with her voice multi-tracked and in its highest range. It serves as a 32-second intro to "Boyfriend," an acoustic track that looks upon a suffering relationship as a death sentence. Wolfe's belief in these songs and commitment to the material gives her license to exploit the melodrama. She isn't writing songs so much as little horror films, where no one gets out without serious damage to the soul.

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4:00
2:47
3:09
3:10
0:32
3:51
1:53
2:33
2:55
4:22
3:31

About Chelsea Wolfe

Crafting "doom-drenched electric folk," Los Angeles' Chelsea Wolfe brings a foreboding feel to songs as disparate as "You Are My Sunshine" and album tracks by Norwegian black metal icon Burzum. Wolfe grew up in Northern California with a father who had a country band and his own home studio, so she was immersed in music at an early age and began recording herself at age nine; by the time she was in fourth grade, she knew she wanted to be a singer. However, it wasn't until 2009, when she returned from a three-month tour with a performance artist friend in spaces including old nuclear factories, that she began making music for others to hear. Wolfe recorded with her friends on a portable eight-track, the results of which became her 2010 debut album, The Grime and the Glow. Wolfe also contributed a radically different version of the Strokes' "The Modern Age" to a tribute to the band curated by Stereogum.com, and her song "Moses" was used as the soundtrack to artist/director Richard Phillips' short film Sasha Grey.

After moving to L.A., Wolfe recorded her second album, Apokalypsis, in a proper studio, working with musicians including Ben Chisholm; it was released by Pendu Sound Recordings in August 2011. Wolfe took a few musicians, including Chisholm, into the Northern California woods to record Unknown Rooms: A Collection of Acoustic Songs, which was released in October 2012. Prayer for the Unborn, her contribution to Southern Records' Latitudes EP series, arrived a few weeks later. Nearly a year later, Wolfe returned with the more electronic-leaning Pain Is Beauty, which featured Chisholm as a co-producer as well as the work of longtime bandmembers Kevin Dockter and Dylan Fujioka. She then collaborated with King Dude on a pair of split singles and appeared on Russian Circles' fifth album, Memorial. Lone, an hour-long movie directed by Mark Pellington and featuring music from Pain Is Beauty, was released in 2014. For her fourth full-length, Abyss, Wolfe shifted gears again, focusing on the doomiest, metal-inspired aspects of her music. Along with Chisholm and Fujioka, her collaborators included producer John Congleton and Russian Circles' Mike Sullivan. The album arrived in August 2015. The following year, Wolfe released the single "Hypnos," and she and Chisholm were among the performers at Blood Moon, a series of European collaborative live shows with Converge. The band's Kurt Ballou recorded Wolfe's fifth album Hiss Spun in Salem, Massachusetts. Featuring drummer Jess Gowrie -- with whom Wolfe had been in a band years before -- as well as Chisholm, Old Man Gloom's Aaron Turner, and Queens of the Stone Age's Troy Van Leeuwen, the 2017 album was even heavier than its predecessor. ~ Heather Phares

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