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Album Review

After finally running out their 13-year, seven-plus album deal with a poisonously indifferent Atlantic Records via 2005's workmanlike Octavarium, progressive metal standard bearers Dream Theater took advantage of their well earned free agent status to enjoy a heated courtship from several interested labels, before eventually settling on the artistically simpatico Roadrunner. But, ironically, Dream Theater's first album for the label that heavy metal built, 2007's Systematic Chaos, was relatively accessible by the group's standards, complementing every epic and complex composition with a comparatively concise and hooky song, thus leaving it to its 2009 successor, Black Clouds & Silver Linings, to really flex the band's progressive metal muscles to their maximum girth. And in fact, Dream Theater's tenth long-player is about as dense and challenging as any album in their daunting discography (and certainly the darkest of spirit since 2003's Train of Thought), by emphasizing not only the virtuoso members' ever stupefying musicianship, but also their most aggressive and thoroughly metallic songwriting tendencies. Sixteen-minute opener "A Nightmare to Remember" and its half-as-long follow-up, "A Rite of Passage" (later edited further for release as the album's first single), quickly establish this agenda via frequently thrash-paced staccato riffing, some of John Petrucci's most blistering guitar solos ever, and the return of drummer Mike Portnoy's syncopated growls (no doubt inspired by his pal Mikael Åkerfeldt of Opeth), providing contrast for singer James LaBrie's soaring melodic elegance. Third track "Whither" — a tender ballad and mere babe at five minutes in length — is this album's only concession to commerce (and one of Dream Theater's better stabs at the form it is, too); but after that it's right back to prog rock in excelsis, via the final chapter in the band's "AA Saga," "The Shattered Fortress," which references songs from previous albums such as "The Glass Prison" and "The Root of All Evil," in emulation of the "Conceptual Continuity Clues" method favored by one of Portnoy's heroes, Frank Zappa. Only two, not surprisingly massive song suites remain now, and interestingly, both pay evident tribute to Rush! First up, "The Best of Times" boasts an extremely Alex Lifeson-like lead guitar motif and verse chords that were clearly evolved from "The Spirit of Radio," later showcasing the most versatile and classically steeped performance on this record by keyboard wizard Jordan Rudess. Second, the revealingly named "The Count of Tuscany" (surely a thinly veiled allusion to the Rush's famed instrumental, "La Villa Strangiato") catches Portnoy in the act of outright Neil Peart worship, colluding with Petrucci on their own version of "Xanadu" before leading their bandmates into another heady prog-metal magnum opus brimming with more ideas, notes, and time changes over 19 minutes than most bands bother with over a ten album career. That last bit sound at all familiar? That's because, at the end of the day, one must admit that Black Clouds & Silver Linings, for all its abundantly positive qualities and minor but clear distinctions from prior efforts, is still an archetypal Dream Theater album; one that's unlikely to broaden their audience all that much, but is conversely guaranteed to thrill their hardcore converts with its renewed devotion to the most exigent and stimulating facets of the band's chosen musical domain. [A special edition was also released.]

Customer Reviews

album of the decade

Words cannot describe the pure masterpiece which is this album. This album throws every album from 2002 out of the window. It is one of the most important albums of the band, due to the fact this is the landmark which finishes the beloved "twelve step suite", but also becoming their most diverse, containing Mike Portnoy growling. new but a great idea. Yet more flawless guitarwork from John Petrucci, melodic and super fast keyboard work from Jordan Rudess, James LaBrie's vocal work remains very strong, but I have to say that the bass isn't well heard, mostly just plays along with the riffs. The cover songs are also composed very well also. Definetly check out Stargazer and Odyssey. A nightmare to remember- by far their most diverse song for along time, Aggressive yet melodic song, 10/10 A rite of passage- Great first choice of single, but probably the weakest song of the album- 8/10 Wither- A beautiful ballad with an incredible John Petrucci solo- 9/10 The Shattered Fortress- The final song of the twelve step suite. Maintaining the memorable moments of past songs, but keeping unique lyrics- 10/10 The Best of Times- A beautifully written song about the death of Mike Portnoy's dad. Think Wither times 1000.- 10/10 The Count of Tuscany- The magnum opus of this album. Without a sngle doubt their best song since Octavarium. An extremely well structured and diverse song.-10/10 Definetly check out: A Nightmare to Remember, The Best of Times and The Count of Tuscany.

One of their definitive Albums

This album has got to be one of the most well paced Dream Theater albums I have heard, starting at a ferocious pace and then later subsiding into some seriously tasteful yet heavy prog, although The Shattered Fortress does sound a bit cut and paste at times, but the track is a great way to end the saga that has spanned a few albums, The Count of Tuscany may be the most amazing Dream Theater track I have ever heard and this entire album just may be the best album they have done in ten years.

Another fantastic album

This album has so much - the completion of the AA Suite with The Shattered Fortress (which is amazing!) and the multitude of covers make it a really good purchase. It's the band on top for too. Buy!


Formed: 1986 in New York, NY

Genre: Rock

Years Active: '80s, '90s, '00s, '10s

The technically proficient guitar playing of John Petrucci elevated Dream Theater to the upper echelons of contemporary heavy metal. While its lineup has continuously evolved, the Long Island-based quintet has consistently delivered sharp-edged music. Dream Theater is known for its high-energy concert performances. While they've released several live albums -- Live at the Marquee, recorded at the London club; Live in Japan, recorded during the Music in Progress tour in 1993, and a triple-CD and DVD,...
Full bio
Black Clouds & Silver Linings (Special Edition), Dream Theater
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  • £10.99
  • Genres: Metal, Music, Rock, Prog-Rock/Art Rock
  • Released: 19 June 2009

Customer Ratings


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