Screenshots

Description

iVCS3
Official EMS VCS3 emulator

The VCS3 was created in 1969 by Peter Zinovieff's EMS company. The electronics were largely designed by David Cockerell and the machine's distinctive visual appearance was the work of electronic composer Tristram Cary. The VCS3 was more or less the first portable commercially available synthesizer—portable in the sense that the VCS 3 was housed entirely in a small, wooden case.
The VCS3 was quite popular among progressive rock bands and was used on recordings by The Alan Parsons Project, Jean Michel Jarre, Hawkwind, Brian Eno (with Roxy Music), King Crimson, The Who, Gong, and Pink Floyd, among many others. Well-known examples of its use are on The Who track "Won't Get Fooled Again" (as an external sound processor, in this case with Pete Townshend running the signal of a Lowrey Organ through the VCS3's filter and low frequency oscillators) on Who's Next. Pink Floyd's "On the Run" (from The Dark Side of the Moon) made use of its oscillators, filter and noise generator, as well as the sequencer. Their song Welcome to the Machine also used the VCS3. The bassy throb at the beginning of the recording formed the foundation of the song, with the other parts being recorded in response. The VCS3 was also a staple at the BBC’s Radiophonic Workshop, and was a regular (and most frightening) sound generator for the Dr Who TV series. Many fo the monsters and atmoshere;s created for the show came directly from the VCS3.

Description

The VCS3 has three oscillators (in reality, the first 2 oscillators are normal oscillators and the 3rd an LFO or Low Frequency Oscillator), a noise generator, two input amplifiers, a ring modulator, a 18dB/octave (pre-1974) or 24dB/octave (after 1974) voltage controlled low pass filter (VCF), a trapezoid envelope generator, joy-stick controller, voltage controlled spring reverb unit and 2 stereo output amplifiers. Unlike most modular synthesizer systems which use cables to link components together, the VCS3 uses a distinctive patch board matrix into which pins are inserted in order to connect its components together.
Keyboards controller

DK1 keyboard controller

Although the VCS3 is often used for generating sound effects due to lack of built-in keyboard, there were external keyboard controllers for melodic play. The DK1 in 1969 was an early velocity sensitive monophonic keyboard for VCS3 with an extra VCO and VCA. Later it was extended for duophonic play, as DK2, in 1972. Also in 1972, Synthi AKS was released, and its digital sequencer with a touch-sensitive flat keyboard, KS sequencer, and its mechanical keyboard version, DKS, were also released.

(See: en.wikipedia.org/wiki/VCS3)

What’s New

Version 3

+ AudioUnit Full Version (AUv3)
+ IAA Musical Fx
+ Improved UI compatibility for X Devices
+ Full size support for the model devices
+ New Navigation zoom and scroll
+ Presets Manager show Factory/Library/User icons
+ Control Manager Search show correctly names
+ Latest Audiobus SDK
+ IAA Zombie fixed for Audiobus 3
+ Sample Manager show file info
+ Opening DocumentsIn Support

Ratings and Reviews

4.9 out of 5
62 Ratings
62 Ratings
Driver watusi ,

A worthy homage to the original

I’ve used a vcs3 - of course they have a unique quality that will never be modelled digitally - but this is a truly marvellous synth in its own right. Great to see someone creating an app in the spirit of the analog pioneers and not lazily bashing out yet another pre-set clone. This is synth designed to inspire experimentation and invention. A really splendid bit of coding. The makers are to be complimented. Highly recommended!

silly cybin ,

Unique

Feel you get Hours of sound design with this , also got it blue-toothed to the korg nano keys with no problems , assigning to midi functions is an easy dream

Usually when you get big synths on small screens - iPhone 7 for example , it gets confusing and frustrating that you can’t zoom further closer to the dials. , but with this , no problem ...has zoom functions , those that have clunky fingers wont regret buying this .

Powerful sounds

Can’t wait to get your other creations to be honest ...

Nice one

mr warped ,

I Am Become Jarre

After a lifetime of listening to the bleeps n squeaks this amazing piece of electronic music history has made on numerous records in my collection I can now finally male my own, albeit badly. Genius app worth every penny.....

Information

Seller
Alessandro Petrolati
Size
142.8 MB
Category
Music
Compatibility
Requires iOS 9.1 or later. Compatible with iPhone, iPad and iPod touch.
Languages
English
Age Rating
Rated 4+
Copyright
© apeSoft
Price
£14.99
In-App Purchases
  1. Red Sky Lullaby - 180 Presets Free
  2. RUMBLE Free
  3. Singe Difficile by RUST(i)K Free

Supports

  • Family Sharing

    Up to six family members will be able to use this app with Family Sharing enabled.

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