Screenshots

Description

iVCS3
Official EMS VCS3 emulator

The VCS3 was created in 1969 by Peter Zinovieff's EMS company. The electronics were largely designed by David Cockerell and the machine's distinctive visual appearance was the work of electronic composer Tristram Cary. The VCS3 was more or less the first portable commercially available synthesizer—portable in the sense that the VCS 3 was housed entirely in a small, wooden case.
The VCS3 was quite popular among progressive rock bands and was used on recordings by The Alan Parsons Project, Jean Michel Jarre, Hawkwind, Brian Eno (with Roxy Music), King Crimson, The Who, Gong, and Pink Floyd, among many others. Well-known examples of its use are on The Who track "Won't Get Fooled Again" (as an external sound processor, in this case with Pete Townshend running the signal of a Lowrey Organ through the VCS3's filter and low frequency oscillators) on Who's Next. Pink Floyd's "On the Run" (from The Dark Side of the Moon) made use of its oscillators, filter and noise generator, as well as the sequencer. Their song Welcome to the Machine also used the VCS3. The bassy throb at the beginning of the recording formed the foundation of the song, with the other parts being recorded in response. The VCS3 was also a staple at the BBC’s Radiophonic Workshop, and was a regular (and most frightening) sound generator for the Dr Who TV series. Many fo the monsters and atmoshere;s created for the show came directly from the VCS3.

Description

The VCS3 has three oscillators (in reality, the first 2 oscillators are normal oscillators and the 3rd an LFO or Low Frequency Oscillator), a noise generator, two input amplifiers, a ring modulator, a 18dB/octave (pre-1974) or 24dB/octave (after 1974) voltage controlled low pass filter (VCF), a trapezoid envelope generator, joy-stick controller, voltage controlled spring reverb unit and 2 stereo output amplifiers. Unlike most modular synthesizer systems which use cables to link components together, the VCS3 uses a distinctive patch board matrix into which pins are inserted in order to connect its components together.
Keyboards controller

DK1 keyboard controller

Although the VCS3 is often used for generating sound effects due to lack of built-in keyboard, there were external keyboard controllers for melodic play. The DK1 in 1969 was an early velocity sensitive monophonic keyboard for VCS3 with an extra VCO and VCA. Later it was extended for duophonic play, as DK2, in 1972. Also in 1972, Synthi AKS was released, and its digital sequencer with a touch-sensitive flat keyboard, KS sequencer, and its mechanical keyboard version, DKS, were also released.

(See: en.wikipedia.org/wiki/VCS3)

What's New

Version 2.3

+ Audiobus 3 New MIDI Receiver Port
+ New Slider/Knobs resizable range for the LFO/MIDI/Accel etc…
+ New Quick View for the Presets Manager, simplify the Presets navigation while playing the Keyboard
+ Fixed: Samples re-trigger when playing via MIDI Keyboard
+ Fixed: Samplers Speed Scanning when the SR is changing
+ Fixed: MIDI Program Change (presets selection) will not affect the incoming MIDI note on/off
+ New implementation for LFO which improve performance when you put app in background or switch app etc..
+ Flanger/Echo Toggles removed clicks
+ MAIN Start/Stop audio fade
+ AUv3: LFO Start/Stop bug fixed for multiple instances
+ Midibus 1.39 SDK
+ Audiobus 3.0.3 SDK
+ Ableton LINK 2.1.2 SDK
+ New Send/Receive jitter-free MIDI clock
+ Disable Auto-Lock Screen
+ iPhone X compatibility
+ MIDI Channel for note on/off/pg, fixed
+ Joystick MIDI Range, fixed
+ Some minor iPhone UI bugs, fixed

Ratings and Reviews

4.9 out of 5

35 Ratings

35 Ratings

Dream Machine, since forever, wonderful.

TestFeedback

I had a picture of the synthi on my wall as a kid, could never hope of having one back then - or even when I could finally afford synths.
This emulation is endlessly gratifying, I've had it some two years, and love it, made some amazing sounds and with the 'essential mods' add-on it's hard to see how you could ever run out of ideas, and downright fun. Brilliant, get it and the add-on. If you love raw electronic sounds your ears will love you forever with this! The apefilter and idensity from the same author are also compelling and in a similar experimental vein, fantastic software. Thanks.

Unique

silly cybin

Feel you get Hours of sound design with this , also got it blue-toothed to the korg nano keys with no problems , assigning to midi functions is an easy dream

Usually when you get big synths on small screens - iPhone 7 for example , it gets confusing and frustrating that you can’t zoom further closer to the dials. , but with this , no problem ...has zoom functions , those that have clunky fingers wont regret buying this .

Powerful sounds

Can’t wait to get your other creations to be honest ...

Nice one

I Am Become Jarre

mr warped

After a lifetime of listening to the bleeps n squeaks this amazing piece of electronic music history has made on numerous records in my collection I can now finally male my own, albeit badly. Genius app worth every penny.....

Information

Seller
Alessandro Petrolati
*WEA.AppPages.Size*
116.2 MB
Category
Music
Compatibility
Requires iOS 9.1 or later. Compatible with iPhone, iPad and iPod touch.
Languages
English
Age Rating
Rated 4+
Copyright
© apeSoft
Price
£14.99
In-App Purchases
  1. Red Sky Lullaby - 180 Presets Free
  2. RUMBLE Free
  3. Essential and Recommended EMS Modifications £3.99

Supports

  • Family Sharing

    Up to six family members will be able to use this app with Family Sharing enabled.

More By This Developer

You May Also Like