iTunes

Opening the iTunes Store.If iTunes doesn’t open, click the iTunes icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator
iTunes

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music by [?], download iTunes now.

Do you already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

Globe Unity Orchestra

View in iTunes

To preview a song, mouse over the title and click Play. Open iTunes to buy and download music.

Biography

One of the earliest large-group endeavors attempted in the European free jazz movement, the Globe Unity Orchestra was founded by German pianist Alexander Von Schlippenbach in 1966, at first for the specific purpose of performing his composition "Globe Unity," which was commissioned for the Berliner Jazztage. Initially, the 19-piece orchestra combined saxophonist Peter Brotzmann's trio and trumpeter Manfred Schoof's quintet with a phalanx of other early giants of European free jazz (mostly from Germany); they included, among many others, trombonist Albert Mangelsdorff, woodwind players Gunter Hampel and Willem Breuker, vibist Karl Berger, bassists Buschi Niebergall and Peter Kowald, and drummers Jaki Liebezeit (of the rock group Can) and Sven-Åke Johansson. The initial performance was a historic and rousingly cacophonous success, and Von Schlippenbach kept the group going, serving as its musical director for most of the next two decades. Naturally, the membership fluctuated quite a bit; by the early '70s, the group had more of a British presence, with players like guitarist Derek Bailey, saxophonist Evan Parker, and trombonists Malcolm Griffiths and Paul Rutherford, plus trumpeter Kenny Wheeler and drummer Han Bennink. Von Schlippenbach left for a bit in 1971, but returned the following year, and the group began playing outside of Germany more often beginning in 1974, which also marked the point at which more of their music was preserved on record (much of it on FMP). As the orchestra evolved, it relied less and less on structured arrangements, eventually becoming completely free. However, since a 20th-anniversary celebration and recording session, the group has mostly been silent. ~ Steve Huey