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August and Everything After

Counting Crows

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Album Review

When the prevailing guitar jingle of "Mr. Jones" cascaded over radio in the early '90s, it was a sure sign that the Counting Crows were a musical force to be reckoned with. Their debut album, August and Everything After, burst at the seams with both dominant pop harmonies and rich, hearty ballads, all thanks to lead singer Adam Duritz. The lone guitar work of "Mr. Jones" coupled with the sweet, in-front pull of Duritz's voice kicked off the album in full force. The starkly beautiful and lonely sounding "Round Here" captured the band's honest yet subtle talent for singing ballads, while "Omaha" is lyrically reminiscent of a Springsteen tune. The fusion of hauntingly smooth vocals with such instruments as the Hammond B-3 organ and the accordion pumped new life into the music scene, and their brisk sound catapulted them into stardom. On "Rain King," the piano takes over as its aloof flair dances behind Duritz with elegant crispness. The slower-paced "Raining in Baltimore" paints a perfectly gray picture and illustrates the band's ease at conveying mood by eliminating the tempo. Most of the songs here engage in overly contagious hooks that won't go away, making for a solid bunch of tunes. Containing the perfect portions of instrumental and vocal conglomeration, the Counting Crows showed off their appealing sound to its full extent with their very first album.

Biography

Formed: August, 1991 in San Francisco, CA

Genre: Rock

Years Active: '90s, '00s, '10s

With their angst-filled hybrid of Van Morrison, the Band, and R.E.M., Counting Crows became an overnight sensation in 1994. Only a year earlier, the band was a group of unknown musicians, filling in for the absent Van Morrison at the Rock & Roll Hall of Fame ceremony; they were introduced by an enthusiastic Robbie Robertson. Early in 1993, the band recorded its debut album, August and Everything After, with T-Bone Burnett. Released in the fall, it was a dark and somber record, driven by the morose...
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