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Album Review

The opening album of a new sensitive singer, Ceumar. Avoiding easy shortcuts to success, Ceumar left out all electronic devices and such trends, preferring to invest in sensitive interpretations with her limpid voice for old composers' classics (the samba "Maldito Costume" by Sinhô, 1929; the instigating recreation for Luiz Gonzaga's "Olha Pro Céu," in marcha-rancho rhythm, where all backing she had is her own voice in overdubs) and "new" composers' (that is, from professionals with 20 years of career) songs, like "Dindinha," "Cantiga," "Boi de Haxixe," "Pecadilhos" by the producer Zeca Baleiro, "Banzo" by Itamar Assumpção, "Galope Rasante" (Zé Ramalho), and "Geofrey, A Lenda Do Ginete" (Chico César). A delicious album, delicate and inspired, interpreted with authoritative musicality. The only unfulfilled promise is "Let It Grow," which loses in the comparison with the previous recording by Renaissance's Annie Haslam and her three-octave range.


Genre: Brazilian

Years Active: '80s, '90s, '00s

With her velvety vocal tones and dynamic presence, Ceumar (born Estreia Ceumar) has brought new expression to the pop music of Brazil. Her debut album Dindinha, released in 1995, is still cherished as an acoustic Brazilian pop classic. The daughter of a multi-instrumentalist and singer, Ceumar was born in the interior of Brazil, south of Minas Gerais. After learning to play tunes on her father's electric viola and piano, she spent several years studying classical viola. Her passion, however, remained...
Full bio
Dindinha, Ceumar
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