Opening the iTunes Store.If iTunes doesn’t open, click the iTunes icon in your Dock or on your Windows desktop.Progress Indicator
Opening the iBooks Store.If iBooks doesn't open, click the iBooks app in your Dock.Progress Indicator

iTunes is the world's easiest way to organize and add to your digital media collection.

We are unable to find iTunes on your computer. To preview and buy music from Hanapepe Dream by Taj Mahal & The Hula Blues Band, download iTunes now.

Do you already have iTunes? Click I Have iTunes to open it now.

I Have iTunes Free Download
iTunes for Mac + PC

Open iTunes to preview, buy and download music.

Album Review

Recorded in the year 2000 in Bremen and in Hawaii, Hanapepe Dream is ethnomusicologist, guitarist, and composer Taj Mahal's own gumbo of Caribbean, Polynesian, African, and American folk roots styles done up in the glorious dress of "song," for anyone who has ears to hear, feet to shuffle, and an ass to shake. Featuring a large band replete with three ukuleles (little, baritone, and tenor), Hawaiian steel guitars, slack key guitars, horns, steel drums, and standard bass, drums, and guitars, Mahal reveals why he's a master of combining traditions and musics from different histories and regions. In fact, Mahal can prove, via his very fine performance here, that all forms of soul and blues, reggae, jazz, and rock & roll music come from one source and that source lies in the African Diaspora. Mahal's own songs here are fine offerings: There's "Great Big Boat," the opener full of celebratory drums and choral singing and loping winds and horns, and "Baby You're My Destiny," a slippery swing tune that borders on Hawaiian folk music and could have been recorded by Django Reinhardt with Louis Prima, Gabby Pahinui, and Ike Quebec sitting in. But it is in the traditional folk tunes such as "Blackjack Davey," "King Edward's Throne," and the most unique and gorgeous reading of "Stagger Lee" ever that Mahal pulls out the stops and showcases his entire vision. The latter song becomes an expression of how community embraces story, movement, tragedy, celebration, and shared space and time. They come roiling from different musical approximations — not appropriations — as Mahal doesn't steal anything here; he offers the ancient sources of this music up as easily identified if not easily separated, and engages the song itself as the easiest and most memorable form of communication we have as human beings. Mahal offers further proof by using Bob Dylan's "All Along the Watchtower" and Richie Havens' "African Herbman" as current examples of cross miscegenation of course material. In the Dylan song, jazz entwines reggae and calypso as well as Hawaiian slack key, and the Havens track moves through the Nigerian and Malian folk legacies and brings them to the Caribbean for articulation. Any way you hear it, Hanapepe Dream is further evidence that Mahal has been on a hot streak these past six years, and it continues here with a vengeance.


Born: 17 May 1942 in New York, NY

Genre: Blues

Years Active: '60s, '70s, '80s, '90s, '00s, '10s

One of the most prominent figures in late 20th century blues, singer/multi-instrumentalist Taj Mahal played an enormous role in revitalizing and preserving traditional acoustic blues. Not content to stay within that realm, Mahal soon broadened his approach, taking a musicologist's interest in a multitude of folk and roots music from around the world -- reggae and other Caribbean folk, jazz, gospel, R&B, zydeco, various West African styles, Latin, even Hawaiian. The African-derived heritage of most...
Full bio