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Blind Boy Fuller Vol. 4 1937 - 1938

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Album Review

Beginning with the mid-December, 1937 session which kicks off this fourth volume in Document's retrospective, Blind Boy Fuller entered into a recording partnership with the legendary harpist Sonny Terry that continued for the remainder of Fuller's studio career. Terry's blistering harmonica and falsetto interjections lent an exciting new dynamic to Fuller's sound, as classic sides like "Pistol Snapper Blues," "Mean and No Good Woman" and "Georgia Ham Mama" amply prove, each musician pushing the other to new creative heights.


Born: 10 July 1907 in Wadesboro, NC

Genre: Blues

Years Active: '30s, '40s

Unlike blues artists like Big Bill or Memphis Minnie who recorded extensively over three or four decades, Blind Boy Fuller recorded his substantial body of work over a short, six-year span. Nevertheless, he was one of the most recorded artists of his time and by far the most popular and influential Piedmont blues player of all time. Fuller could play in multiple styles: slide, ragtime, pop, and blues were all enhanced by his National steel guitar. Fuller worked with some fine sidemen, including Rev....
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Blind Boy Fuller Vol. 4 1937 - 1938, Blind Boy Fuller
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