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Album Review

After having played together on a regular basis for eight years, it is not surprising that this set of duets by pianist Bill Evans and bassist Eddie Gomez are intuitive and bordering on the telepathic. The material is quite fresh. Evans might have recorded "Invitation" and "Show-Type Tune" previously but the other six songs were getting their debut in his hands. Whether it be "Hi Lili, Hi Lo," Claus Ogerman's "A Face Without a Name," Steve Swallow's "Falling Grace" or "Blue Serge," the sensitive and generally introspective playing on this CD reissue definitely holds one's interest.


Born: 16 August 1929 in Plainfield, NJ

Genre: Jazz

Years Active: '50s, '60s, '70s, '80s

With the passage of time, Bill Evans has become an entire school unto himself for pianists and a singular mood unto himself for listeners. There is no more influential jazz-oriented pianist — only McCoy Tyner exerts nearly as much pull among younger players and journeymen — and Evans has left his mark on such noted players as Herbie Hancock, Keith Jarrett, Chick Corea, Brad Mehldau. Borrowing heavily from the impressionism of Debussy and Ravel, Evans brought a new, introverted, relaxed,...
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